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Matt Vinyl

Interview | International Musician & Recording World, May 1985

Where big band Jazz meets hi-tech production. Richard Walmsley looks beneath the Matt gloss.

Multitrack Mixers - Part 2

Feature Series | Topic: Mixing | Recording Musician, Mar 1993
The Input Channel

A guided tour through a typical in-line channel strip.

Jon Lord

Interview | Electronics & Music Maker, Aug 1982

Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’.

Wersi MK1 Synthesiser

Review | Music Technology, Nov 1986
Polyphonic Synthesiser

Simon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use?

Roland D70

Review | Sound On Sound, Jul 1990
Super LA Synthesizer

The D50 was never going to be an easy act to follow, but a successor to the title of Roland's flagship has now arrived. Richard Lamont puts it to the test.

Rory's Story

Interview | Making Music, Oct 1987

2 of a Kind

Review | Home & Studio Recording, Oct 1986
AKG K240DF headphones and AKG C535EB mic

Mike Skeet gives us his opinion on these monitor quality headphones. Are they really an alternative to mixing on speakers? Next he takes a look at the C535EB microphone.

The Shape Of Things To Come

News | Sound On Sound, Dec 1986

Another low-cost digital reverb from Alesis, a SMPTE/EBU to MIDI event synchroniser, new DX ROM/RAM cartridges, and a visual editor for Akai's S900 sampler are all amongst the forthcoming crop of new products.

So You Want To Be An...

Feature | Topic: Arranging / Songwriting | International Musician & Recording World, Jul 1985
Arranger

Lone arranger Richard Walmsley analyses the profession's pros and cons

Kawai K5

Review | Sound On Sound, Dec 1987
The Additive synthesizer

Once upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates.

Modular Synthesis - Part 1

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jan 1984
Producing String Sounds

A new in depth look at building up complex patches

Siel MK900

Review | Electronics & Music Maker, Jan 1985
Personal Keyboard

The words Siel and MIDI have gone hand in hand throughout 1984. Trish McGrath looks at what happens when the former puts the latter on a budget personal keyboard.

Sequential Studio 440

Review | Sound On Sound, Jul 1987
Sequential's One Man Band

Paul Wiffen first encountered the Studio 440 sampling drum machine several months ago when he was called in to help Stevie Wonder suss out his! It has since become the mainstay of his own programming armoury. Here he tells why...

PA Column

Feature | Topic: Live | International Musician & Recording World, Sep 1985
Live Aid

Gig of the century, report of the millenium by Jim Betteridge

The News

News | Making Music, Nov 1986

Tonight the hot instrumental news is read by someone with a megaphone. Strange.

Mass Hysteria

Interview | Electronics & Music Maker, Jul 1984

The Human League are still one of the world's most successful synth bands, but their new album was a long time coming, and they've stuck guitars all over it. The League's Ian Burden explains why.

Ars Electronica

Show Report | Electronics & Music Maker, Dec 1982

A big Austrian event that focuses on electronic music.

E-Mu Systems EMAX

Review | Sound On Sound, Jan 1987
Digital sampling keyboard

Much rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out.

We Can't Go On... - Part 5

Feature Series | Music Technology, Aug 1987
...Beating Like This

If conventional drum pads sound old hat, Matt Isaacson and Chris Meyer might have a few ideas for you as they check out the alternatives in our series on creative drum programming.

Yamaha SY-77

Review | Micro Music, Mar 1990
Performance Synthesizer

John Renwick looks at the new SY-77 from Yamaha

PG Tips!

Review | Phaze 1, Jun 1989
Dream Machine: Casio PG380 guitar synth

is the Casio PG380 the ultimate guitar synth ?

The Japanese Music Fair

Show Report | Electronics & Music Maker, Jan 1982

A report on this popular annual event.

Korg 01/W FD Workstation

Review | Music Technology, Nov 1991
Music Workstation

The problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds.

Bit 99

Review | International Musician & Recording World, Oct 1985
Synthcheck

Paul Fishman does his Bit

The Shape Of Things To Come

News | Sound On Sound, Mar 1988

Glimpse some of the forthcoming and recently released new products from the hi-tech and recording fields.

 

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