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PC NotesFeature | Topic: Computing | Sound On Sound, Sep 1993 |
Microskill AS32Review | Electronics & Music Maker, Jul 1985All-digital Programmable PolysynthA British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer. |
NewsNews | International Musician & Recording World, May 1985The latest reports from the lands of Trade and Product |
The NewsNews | Making Music, Aug 1986All the new stuff, including a special feature on the soon-come Stepp digital guitar. |
Yamaha FB-01Review | Sound On Sound, Oct 1986Offering 240 FM sounds, with up to 8-voice polyphony, and control via MIDI mono mode, the FB-01 takes the crown as the cheapest expander on the market today. Martin Russ casts his vote. |
TechTalk - Part 1Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1985John Chowning, inventor of FM synthesis and the man indirectly responsible for Yamaha's DX synths, receives an interrogation from Simon Trask. In the event, our man scarcely gels a word in edgeways. |
Anvil Percussion SynthesiserReview | Electronics & Music Maker, Jun 1985An all-British sound-sampling and drum-synthesising MIDI percussion machine with built-in sequencer gets an exclusive preview courtesy of David Ellis - there's even comment from the designers. |
Yamaha AVS10Review | Sound On Sound, Nov 1989Multitimbral ExpanderFrom the home organ division of the Japanese giant comes a box which wipes the floor with anything that Yamaha’s Professional Keyboards division can currently produce. Paul Wiffen reveals the secret of the black box... |
Yamaha WX7Review | Music Technology, Jun 1988Wind ControllerYamaha's WX7 MIDI wind controller has already attracted the attention of professional sax players like Courtney Pine. Man Jumping saxophonist Andy Blake gets his second wind. |
Designing The FutureFeature | Topic: Design, Development & Manufacture | Music Technology, Aug 1991Appropriately enough, MT shares its birthday with one of the companies which has helped shape today's synthesisers: Roland UK. Gez Kahan presents a view from the inside. |
Korg DDM220Review | Electronics & Music Maker, Oct 1984Programmable Percussion MachineThe Latin percussion variant of Korg's new budget drum machine duo comes under the scrutiny of Trish McGrath. Is its beauty more than skin deep? |
Roland MPU401 MIDI Processing UnitReview | Electronics & Music Maker, Sep 1984and MRC real-time recorder programThe Digital Group's MIDI interface is now available in the UK and compatible with Apple and IBM PC micros. Katie Robinson checks out the unit and its associated composing software package, MRC. |
BMF Product NewsGroup: Roland Newslink - Autumn 1986Four pages packed with news hot from BMF |
BMF ReviewShow Report | International Musician & Recording World, Oct 1985All this and the scam from Olympia II |
The Professionals: APRSFeature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios. |
The Shape of Tech To ComeGroup: Frankfurt Mixour look at the forthcoming Frankfurt Musical Instrument Fair - at 7½ Instruments Per Second |
Gear NewsGroup: News and Reviews |
Cheetah MD8 Digital Drum MachineReview | Sound On Sound, Apr 1988With features like stereo, mono and separate outputs for external processing, real-time and step-time programming, MIDI compatibility, and interchangeable drum sounds, the budget-priced MD8 should theoretically cost a lot more than it does. Tony Wride sees if it lives up to expectations. |
Rickenbacker 360/12 GuitarReview | Electronics & Music Maker, Sep 1983 |
When Is A ComputerGroup: One Two Trainingare today's micros really helping |