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Aural Hygiene - Part 1Feature Series | Topic: Restoration / Archival | Sound On Sound, Dec 1993How To Keep Noise At Bay |
The Lone RaverInterview | Music Technology, May 1992The drug culture of the rave scene continues to attract the attention of both the pop charts and the tabloid press. Tim Goodyer talks Ecstasy, agony and technology with one of the genre's heroes. |
Tailoring Sound - Part 2Feature Series | Topic: Sampling | Sound On Sound, Jan 1986Editing, Looping & Splicing.Keyboard programmer Paul Wiffen moves on to the process of manipulating the sample in this series designed to help make the best use of your sampling machine. |
A Sense of ProportionInterview | Music Technology, Sep 1989Haying abandoned the independence of Factory Records in favour of the relative safety of a major record deal, ACR are back in the limelight with a new LP. Nigel Lord asks questions of commerciality. |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
Just Can't StopInterview | Sound On Sound, Aug 1986'Are Friends Electric?' and 'Cars' will go down in the musical history books as classics of their genre but the writer of those hits, Gary Numan, has yet to match his early successes. Mark Jenkins met up with him during sessions for a forthcoming album at Rock City studios, Shepperton, only to discover that the Numan of today is finding it tough to get airplay for his recent work... |
Age of ChanceInterview | Music Technology, Jun 1990Abandoning guitars for samplers, Skin became Fluke and discovered new artistic freedom. Simon Trask listens to the man/machine argument from people who've learned both sides of it. |
US Audio GatexFeature | Sound On Sound, May 1986With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio. |
Workshop BoysInterview | Topic: Recording Studios | Music Technology, Jul 1988A pro studio that's offering its facilities to new bands for free? Mike Myers tells Nicholas Rowland what's wrong with the record biz and how he's trying to put it right. |
Voce DMI64 MKIIReview | Music Technology, Sep 1991Organ Synthesiser ModuleAnother contender for the recently-reinstated Hammond Drawbar crown comes in a single rack space. Gordon Reid organises his thoughts. |
Rain Tree CrowInterview | Sound On Sound, Jun 1991The Ghost of Japan?The members of Japan have come together once more, as Rain Tree Crow, after a 9-year hiatus. Nigel Humberstone talks to David Sylvian, Steve Jansen and Richard Barbieri about the biggest reunification since Germany. |
The Next DimensionFeature | Topic: Effects Processing, Mixing | Music Technology, Jan 1992Roland RSS SystemThree-D sound placement from two speakers - that's the secret of Roland's revolutionary Sound Space system. Vic Lennard looks at the technology and the theory. |
State Of Independents - Part 1Feature Series | Topic: Music Business | Music Technology, Oct 1993Riff Raff, FONIn Part 1 of a series on independent labels, MT looks at the case histories of Fon and Riff Raff to discover just what it takes to get going and avoid the pitfalls |
Turtle PowerReview | Sound On Sound, Jul 1992Turtle Beach Multisound PC Sound CardDedicated PC users will welcome the introduction of this new, high-quality sound card to further enhance PC music-making possibilities. Brian Heywood investigates. |
Which Micro?Group: Computer MusicianContinuing the extensive guide to the many micros available |
Animal House StudiosFeature | Topic: Recording Studios | Sound On Sound, Jul 1988You may not find a 24-track recorder in this London studio, but you will find two synchronised Fostex E16s and a veritable Aladdin's cave of hi-tech paraphernalia being put to some very interesting uses. Read on and discover how... |
The BelovedInterview | Sound On Sound, Mar 1993 |
Drugs and the MusicianFeature | Topic: History / Culture, Music Business, Performing | One Two Testing, Feb 1985dangerous truths |
Lab Notes: MUS1Feature | Topic: Computing | Polyphony, Apr/May 1978With the New Miracle Ingredient - STG |
GTE 'Studio Tube' Bass Pre-AmpReview | In Tune, Jun 1985 |
E-Mu Systems Emulator III Version 1.21Review | Music Technology, Aug 1988Digital Sound Production WorkstationThe latest version of E-mu's popular Emulator sampler incorporates stereo 16-bit sampling and a hard disk drive. Chris Meyer can't believe his ears. |