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Making the Most of... - Part 9

Feature Series | Topic: Microphones, Recording | Home & Studio Recording, Jan 1986
Acoustic Guitar

Recording the acoustic guitar.

Manzanera Memories

Interview | Topic: Tuition / Technique | Making Music, Jun 1986

The guitars behind five Roxy Music classics, plus a Skill Centre special as Phil shows you the chords to 'Love Is The Drug'.

Roland Alpha Juno One

Review | International Musician & Recording World, Feb 1986
Synthcheck

Is small beautiful? Jim Betteridge knows

Dynaflanger

Review | Sound International, Oct 1978

Thrill to dynamic flanging as Dave Hastilow peruses the Micmix Dynaflanger

Prelude Percussion Module

Review | International Musician & Recording World, Jun 1986
DrumCheck

The cheapest—and ugliest—way to add sampled sounds you your acoustic drums or drum machine. Tony Reed reports

Taking Advantage of General MIDI

Feature | Topic: MIDI | Music Technology, May 1993

General MIDI - what is it and where did it come from? Vic Lennard, who is also known as General MIDI having worked his way up from humble Private, explains all with some maps, a codebook and a sharp, pointy stick.

Shubb Capo

Review | Music UK, May 1983

Something in the Shubbery — a new Capo, perhaps?

Roland JSQ-60

Review | One Two Testing, Mar 1984
Poly Sequencer

Digigram Proscore

Review | Music Technology, Jan 1991
Software for the Atari ST

The elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative.

Black Box Secrets

Review | Electronics & Music Maker, Nov 1985
Akai MIDI Effects

Three 19" rack-mounted modules that act as a delay, a dynamics controller, and an arpeggiator respectively. Simon Trask gives them the critical treatment.

Korg DVP-1

Review | One Two Testing, Sep 1986

Voice processor processed

Siel MK900

Review | Electronics & Music Maker, Jan 1985
Personal Keyboard

The words Siel and MIDI have gone hand in hand throughout 1984. Trish McGrath looks at what happens when the former puts the latter on a budget personal keyboard.

Synth Sense

Feature | Topic: Sequencing | Making Music, Jul 1987

last episode

How To Recreate A Jam & Lewis Production

Feature | Topic: Recording, Sequencing | Sound On Sound, Sep 1988
'When I Think Of You' by Janet Jackson

One good means of learning your way around the equipment you own is to use it to recreate somebody else's music. That's exactly what Mike Collins did last year whilst working at Yamaha's Research & Development Studio in London. Using nothing but Yamaha gear, he set about reproducing a Janet Jackson hit in full, by himself. Here, he recalls what was involved.

Hanging Around

Interview | International Musician & Recording World, Nov 1985

Our man Chris Maillard meets the Men for a man-to-Men chat

Welcome

Editorial | Sound On Sound, Mar 1991
Synergy

What the hell does Quantisation think it is?

Feature | Topic: Sequencing | Music Technology, Feb 1992

Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too.

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Jan 1993

Prophet T8

Review | Electronic Soundmaker & Computer Music, Oct 1983

A new studio standard?

Korg Digital Voice Processor

Preview | Sound On Sound, Jan 1986

Whilst the race is on to MIDIfy every effect under the sun, Korg suddenly leap ahead of the rest with their DVP-1. Ian Gilby delivers an exclusive preview of this unique rack-mounting device that combines a vocoder, harmoniser and pitch transposer with MIDI control.

Playing The Game

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1988
Korg Mono/Poly

As analogue synthesis enjoys a return to popularity, yesterday's synths are becoming regular topics of conversation. Rob Norman rediscovers voltage control.

Secondhand Synths

Feature | Topic: Buyer's Guide | Making Music, Aug 1986

A crafty buyer's guide — what to look for.

Why Don't They Make...

Feature | Making Music, Jan 1987

Simmons MTM

Review | Sound On Sound, Jun 1986

'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out.

Record Talkback

Interview | Electronic Soundmaker & Computer Music, Jun 1984

 

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