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Making the Most of... - Part 9Feature Series | Topic: Microphones, Recording | Home & Studio Recording, Jan 1986Acoustic GuitarRecording the acoustic guitar. |
Manzanera MemoriesInterview | Topic: Tuition / Technique | Making Music, Jun 1986The guitars behind five Roxy Music classics, plus a Skill Centre special as Phil shows you the chords to 'Love Is The Drug'. |
Roland Alpha Juno OneReview | International Musician & Recording World, Feb 1986SynthcheckIs small beautiful? Jim Betteridge knows |
DynaflangerReview | Sound International, Oct 1978Thrill to dynamic flanging as Dave Hastilow peruses the Micmix Dynaflanger |
Prelude Percussion ModuleReview | International Musician & Recording World, Jun 1986DrumCheckThe cheapest—and ugliest—way to add sampled sounds you your acoustic drums or drum machine. Tony Reed reports |
Taking Advantage of General MIDIFeature | Topic: MIDI | Music Technology, May 1993General MIDI - what is it and where did it come from? Vic Lennard, who is also known as General MIDI having worked his way up from humble Private, explains all with some maps, a codebook and a sharp, pointy stick. |
Digigram ProscoreReview | Music Technology, Jan 1991Software for the Atari STThe elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative. |
Black Box SecretsReview | Electronics & Music Maker, Nov 1985Akai MIDI EffectsThree 19" rack-mounted modules that act as a delay, a dynamics controller, and an arpeggiator respectively. Simon Trask gives them the critical treatment. |
Siel MK900Review | Electronics & Music Maker, Jan 1985Personal KeyboardThe words Siel and MIDI have gone hand in hand throughout 1984. Trish McGrath looks at what happens when the former puts the latter on a budget personal keyboard. |
How To Recreate A Jam & Lewis ProductionFeature | Topic: Recording, Sequencing | Sound On Sound, Sep 1988'When I Think Of You' by Janet JacksonOne good means of learning your way around the equipment you own is to use it to recreate somebody else's music. That's exactly what Mike Collins did last year whilst working at Yamaha's Research & Development Studio in London. Using nothing but Yamaha gear, he set about reproducing a Janet Jackson hit in full, by himself. Here, he recalls what was involved. |
Hanging AroundInterview | International Musician & Recording World, Nov 1985Our man Chris Maillard meets the Men for a man-to-Men chat |
What the hell does Quantisation think it is?Feature | Topic: Sequencing | Music Technology, Feb 1992Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Jan 1993 |
Korg Digital Voice ProcessorPreview | Sound On Sound, Jan 1986Whilst the race is on to MIDIfy every effect under the sun, Korg suddenly leap ahead of the rest with their DVP-1. Ian Gilby delivers an exclusive preview of this unique rack-mounting device that combines a vocoder, harmoniser and pitch transposer with MIDI control. |
Playing The GameRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1988Korg Mono/PolyAs analogue synthesis enjoys a return to popularity, yesterday's synths are becoming regular topics of conversation. Rob Norman rediscovers voltage control. |
Secondhand SynthsFeature | Topic: Buyer's Guide | Making Music, Aug 1986A crafty buyer's guide — what to look for. |
Why Don't They Make...Feature | Making Music, Jan 1987 |
Simmons MTMReview | Sound On Sound, Jun 1986'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out. |
Record TalkbackInterview | Electronic Soundmaker & Computer Music, Jun 1984 |