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Sapphire and steel stringsInterview | International Musician & Recording World, Mar 1985From Folkie to MIDI. Chris Maillard finds out how the hard bitten acoustic veteran has been bitten hard by the electronic bug |
Moving OnReview | Sound On Sound, Jan 1986Yamaha DX21Synthesist Ian Boddy casts an eager eye over Yamaha's low-cost DX21 polysynth and discovers some little publicised aspects of its performance... |
Eighth WonderRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1987Of all the instruments that became popular in the heyday of the "big synth" a few years back, Roland's Jupiter 8 has stood the test of time the best. Tim Goodyer, a self-confessed JP8 addict, explains why. |
The Reverb RevolutionGroup: Roland Newslink — Frankfurt Report |
WorkbenchFeature | Topic: Effects Processing, Maintenance / Repair / Modification | International Musician & Recording World, Mar 1985Signal Processors - the saga continuesPhil 'Distortion' Walsh and the continuing saga of signal processors |
Band In A Box V5Review | Sound On Sound, Oct 1992Accompaniment SoftwareThis popular auto-accompaniment program is gaining in features and sophistication with every upgrade. Martin Russ plays with himself... |
The SynergyReview | Electronics & Music Maker, Aug 1982 |
Washburn Wonderbar Tremolo AssemblyReview | International Musician & Recording World, Mar 1985AccessorycheckTaken to task by Dave 'King Wang' Burrluck |
Music Maker Equipment SceneNews | Electronics & Music Maker, Feb 1983New Casio keyboards, video and instruments |
Siel DK80Review | International Musician & Recording World, Jun 1985SynthcheckThe very latest of the cheap but decent synths tests Tony Mills' skills |
Sonics & HarmonicsFeature | Topic: Tuition / Technique, Sound Fundamentals | One Two Testing, Sep 1985where to find them and why they're there |
Out Of PocketReview | Micro Music, Oct/Nov 1989John Renwick has a pocketful with the pocket MIDI range from Anatek |
Korg PolysixReview | Electronics & Music Maker, Aug 1982 |
Stop, Look and ListenReview | Electronic Soundmaker & Computer Music, Jul 1985MUSIC 500 ProgramsTwo new programs for the MUSIC 500 |
Why Just Intonation?Feature | Topic: Sound Fundamentals | Music Technology, Feb 1988Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers. |
Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. |
U Got The LookReview | Sound On Sound, Aug 1989Roland U20 KeyboardIs the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out. |
The Art Of RepetitionEditorial | Music Technology, Nov 1989The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians? |
Strawberry RipplesInterview | International Musician & Recording World, Mar 1985The prettiest people in Pop meet the ugliest person in journalism |
Yamaha TX81Z & MDF1Review | Music Technology, Jul 1987After April's In Brief review, Rick Davies sends us a user report on the latest FM synth module, and throws in a review of the MDF1 MIDI data filer for good measure. |
Shadow MIDI Guitar SystemReview | International Musician & Recording World, Sep 1986GuitarCheckWho knows how good a MIDI add-on for your guitar can be? The Shadow knows, as Paul Trynka finds out.... |