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Alvin Lee

Interview | International Musician & Recording World, Aug 1975

On Fenderising his Gibson and varying his technique

Ostenders

Feature | Topic: Video / Film / Picture | Making Music, Aug 1986

Second Hand

Feature | Topic: Buyer's Guide | Sound International, Jul 1978

Looking for a reasonable raita, an affordable axe, a cheap tubular bell? Read on!

Yamaha QX3

Review | Sound On Sound, Dec 1988
Digital Sequence Recorder

In a world dominated by software sequencers, Rowland Jones finds he still has a soft spot for Yamaha's hardware variety.

Casio SK2100

Review | Music Technology, May 1987
Portable Sampling Keyboard

You want a synthesiser, a drum machine, a sequencer and a sampler, but you've got less than £500 to spend? Home-keyboard buyers are currently being offered just such a package, as Dan Goldstein discovers.

Gordon Smith Galaxi Semi-Acoustic Bass & Semi-Acoustic Guitar

Review | Music UK, Sep 1983

Gordon Smith Galaxi Bass meets Galaxi guitar

Roland GR-300 Guitar Synthesiser

Review Audio | Electronics & Music Maker, Nov 1981

Roland Alpha Juno-2

Review | International Musician & Recording World, Mar 1986
SynthCheck

Big brother of the Alpha Juno-1, Roland's latest addition to the new-look analogue Juno range has its ivories tickled by the estimable Jim Betteridge.

Drum Hum

Feature | Topic: Tuition / Technique | Making Music, Apr 1987

bash crash

Ultravox On Air

Interview | Electronic Soundmaker & Computer Music, Feb 1984

A monumental meeting?

Overalls

Feedback | One Two Testing, Nov 1983
So You Say

What the people say.

Siel software

Review | One Two Testing, Oct 1984

programmer and composer

Rebel Rabble

Interview | International Musician & Recording World, Jan 1985

The jolly lads (and lass) currently blowing up a Gaelic gale with their drinking man's Folk have Adrian Deevoy reeling

Fix it in the Mix

Feature | Topic: Sampling | Sound On Sound, Jul 1987
With A Sampling Keyboard

Sampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use.

In A Jazzer's Beret

Feature | Topic: Humour | One Two Testing, Oct 1985

contents of an improviser's titter

Pro-Amp Voodoo

Review | One Two Testing, Apr 1985

combo bewitching watts

Sigma DM-4 Dreadnought Guitar

Group: Review

Review | Phaze 1, Jul 1989

Rockschool Club

Feedback | One Two Testing, Jul 1984

the experts help

EMG S-Series Pickups

Review | One Two Testing, Oct 1985

quality in the loudness

Ashbory Original Bass

Review | One Two Testing, Jun 1986

The oddest stringed thing since Pinocchio, by a nose

Patches

Feature | Topic: Synthesizer Patches | Polyphony, Jan/Feb 1981

Hot Wiring Your Guitar

Feature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Oct 1981

Three different sounds from one pick-up.

Music & Pictures - Part 3

Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Feb 1986
How To Actually Set About It

Producer/Composer Robin Lumley details what's involved in writing and recording your first piece of music for a TV commercial.

The Glass Bead Game

Interview | Making Music, Jul 1986

The man the man who the man who makes the man who the man who the man who makes repetitive music.

Yamaha SPX90 Multi-Effect Processor

Review | Electronics & Music Maker, Mar 1986

Yamaha's rack effects box to end all rack effects boxes. Tim Goodyer finds out why you might want two.

 

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