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Fender Precision Bass

Feature | Electronics & Music Maker, Sep 1982
The Fender Squier Series

Sampling Techniques - Part 1

Feature Series | Topic: Sampling | Sound On Sound, Dec 1992
How To Get The Most From Your Sampler

The Beatmaster

Preview | Sound On Sound, Jan 1991
Roland SPD8 Total Percussion Pad

Roland's latest 8-pad midi percussion controller adds internal sounds to a tried and tested formula. Paul Ireson checks it out.

Rickenbacker 360-12

Review | One Two Testing, Jan 1985

a semi-dozen electric

Touch Sensitivity

Interview | One Two Testing, Feb 1984

Dave Stewart gives the technology the human touch.

Dr T's KCS With MPE, PVG, & Copyist

Review | Music Technology, Aug 1988
Atari ST Software

Dr T's Multi Program Environment allows their KCS sequencer, Programmable Variations Generator and Copyist scorewriter to be used as part of an integrated system. Lorenz Rychner goes soft.

The Practical Mbira

Feature | One Two Testing, May 1986

What is an African thumb piano and why

Making the Most of... - Part 15

Feature Series | Topic: Mixing | Home & Studio Recording, Jul 1986
Mixing

Simon Croft takes up from Steve Howell and gives his views on creative remixing.

One Man's Dream

Interview | International Musician & Recording World, Apr 1985

The Jones boy finally agrees to talk to us. Tony Horkins plays the diplomatic attaché

V-Amp Combos

Review | One Two Testing, Jan 1985

a brace of British boxes

Armadillo

Review | Micro Music, Feb 1990

Baz Watts looks into the Armadillo sampler for the Arc

Video In The Dark

Interview | Electronics & Music Maker, Apr 1986

After over a decade at the forefront of instrumental music, Mike Oldfield is branching out into video and film. Annabel Scott visits the man's new audiovisual studio, and pops a few pertinent questions.

The Serpent and the Pearl

Interview | Electronics & Music Maker, Jul 1986

Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins.

Roland SVC-350 Vocoder

Review | Electronic Soundmaker & Computer Music, Jun 1984

Speaking Japanese

Oberheim OB8

Review | Electronics & Music Maker, Jan 1984
8-Voice Polyphonic Synthesiser

The most recent polyphonic synth from Oberheim, the OB8 adds even more flexibility to the tried and tested Oberheim formula.

Premium Bond?

Review | In Tune, Jun 1985

The Right Connections

Feature | Electronic Soundmaker & Computer Music, Oct 1984

The first of our Systems features focusses on making music with the DX7, Jupiter 6, Drumtraks and MSQ700.

Gus Dudgeon

Interview | International Musician & Recording World, Oct 1975

Jon Tiven talks to Gus Dudgeon about Elton, Bowie and recording in general.

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Dec 1986
'A Wandering Mistrel, I...'

Tony 'Chips With Everything' Mills, back with more software for the increasingly popular Atari 520ST

Striking It Rich

Review | Micro Music, Mar 1990

Teenage Kicks

Interview | Music Technology, Oct 1993

Berlin's techno anarchists Alec, Carl and Hanin are here to cause a riot. Ringleader Alec Empire mouths off on the ambient backlash

Musical Micro

Feature | Topic: Computing | International Musician & Recording World, May 1985
Editing Packages

Tony Mills investigates the noiseless properties of your micro

Home Electro-Musician

Feature | Topic: Home Studio | Electronics & Music Maker, Jun 1982
David Pallant

Sampling Confidential - Lateral Thinking - Part 2

Feature Series | Topic: Sampling | Music Technology, May 1993

Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny

Coda Music Finale

Review | Music Technology, Dec 1988
Software for the Apple Macintosh

Possibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score.

 

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