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Sessioneers - Part 2Feature Series | Topic: Performing | Making Music, Dec 1986Sessionmen SpecialPart two of studiotime, with bassist Paul Westwood and guitarist Tim Renwick. |
Dave Stewart's Music Seminar - Part 3Feature Series | Topic: Music Theory | Sound On Sound, Sep 1990Simple But Not ObviousPart 3: Famed keyboardist Dave Stewart continues his monthly column designed to get you thinking more about your music. |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
Keyboard TalkFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Sep 1983Leslie Speaker |
Incoming DataNews | Music Technology, Nov 1992 |
One In A MillionReview | Electronic Soundmaker & Computer Music, Feb 1985Millioniser 2000The Millioniser 2000, a synth harmonica that may sound as odd as it looks. |
Korg Poly-800 vs SCI Six-TraksReview | Electronic Soundmaker & Computer Music, Jun 1984Here at last! |
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. |
MOTU Professional ComposerReview | Music Technology, Jul 1992Macintosh Scorewriting SoftwareOne of the leaders of the Mac Pack is Mark Of The Unicorn's Professional Composer. Ian Waugh reports on the latest version of one of the leading Macintosh scorewriters. |
Joreth Music Composer SystemReview | Sound On Sound, Apr 1987Software for the Commodore 64Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro. |
Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |
Django LiveInterview | Electronics & Music Maker, Oct 1986...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say. |
SX AppealReview | Electronic Soundmaker & Computer Music, Feb 1985Kawai SX-240Kawai's SX 240 portable keyboard appeals to the eye but what about the ear? |
Hands On: Akai S1000 SamplerFeature | Topic: Sampling | Sound On Sound, Feb 1992There's an S1000 in every studio — almost. David Mellor presents an introduction to this popular sampler. |
Track Record: QueenGroup: Recording WorldJim Betteridge gives Mack the Knife |
New RealityFeature | Topic: Composing / Art | Sound On Sound, Nov 1989The story of a CDNot many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story... |
Mike OldfieldInterview | Sound International, Feb 1979You've read the rest, now read the best... or is it the other way round? Whatever you may have seen elsewhere, we reckon his mate Paul Brett gives us a more accurate picture of life as An Extremely Talented Person With A New Album Just Out. |
Is it Live, or Is It Art?Feature | Topic: Live | Electronics & Music Maker, Oct 1986Leaving the comforts of the studio behind, the Art of Noise step out into the real world of live music, taking their MIDI technology with them. Chris Meyer lends an ear to see how they fare. |
EMT-10Review | Micro Music, Aug/Sep 1989Jez Ford raps his bits round this excellent budget price sound expander from Yamaha |
We Can't Go On... - Part 3Feature Series | Topic: Drum Programming | Music Technology, Jun 1987Beating Like This...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available. |