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Rolling Stones' Mobile Studio

Feature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984
Mick McKenna

Engineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile.

Nineteen Inches of Rane

Review | Home & Studio Recording, Nov 1985
Rane PE15 Parametric Equaliser

The Rane PE15 Parametric Equaliser.

Brass And Brecker

Interview | Making Music, Sep 1987

Green Machines

Interview | International Musician & Recording World, Jul 1985

Fairlight screens, machines and Green. Interview by Adrian Deevoy

TDM Rave

Review | Music Technology, Jul 1992
Atari ST Software

The Grabbing Hands

Competition | Electronics & Music Maker, Sep 1986
Have you won our DX100?

After all these months, our Write A Feature competition has a winner. Find out why it was so long coming, and read the article that won its author a Yamaha DX100.

Tona De Brett's Vocal Points

Feature | Topic: Performing, Tuition / Technique | International Musician & Recording World, Sep 1985

Take a deep breath. Now repeat after me: 'Tone's topping tutorial tips teach trainee tonsils'

Steve Hillage

Interview | International Musician & Recording World, Nov 1975

The Partridge Season

Interview | International Musician & Recording World, Nov 1986

Virgin veterans XTC are under pressure to pull off a Pop success with their latest album, Skywalking. So is it open season on Andy Partridge? Chris Maillard takes aim...

Sequential Studio 440

Review | Music Technology, Jan 1987

After the disaster that was the Linn 9000, why would anyone want to build another combined sampling drum machine and sequencer. Rick Davies has the answer.

Addicts Orgasm

Interview | One Two Testing, Oct 1986

Heavy, hairy and loud

FZ Update

Review | Micro Music, Feb 1990

Paul Wiffen reviews the new Casio FZ Sampler

The Country Gentleman

Interview | Making Music, May 1987

Keeping The Dream Alive

Interview | Sound On Sound, Nov 1990

Tangerine Dream have been at the forefront of electronic music long enough to be regarded as an institution. Mark J. Prendergast talks to Paul Haslinger about the TD experience.

News

News | Topic: Humour | One Two Testing, Nov 1982
Union Synthy Blues

ENTER: developments/products/arrivals... SET

Penthouse and Statement

Interview | One Two Testing, Nov 1982

DATA: Martyn Ware/new album/Synclavier keyboard/digital technique... HARD COPY

Oranges ripened in the topical sun

Interview | One Two Testing, Oct 1984

the fruit of guitarmanship disclosed

Ray Staff - Cutting Engineer

Feature | Topic: Recording Studios, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1984

Ray Staff - Disc Cutting Engineer at Trident Studios.

Wizard of Oz

Interview | One Two Testing, Sep 1986

Ripping Yarns from Perth popsters

Mass Hysteria

Interview | Electronics & Music Maker, Jul 1984

The Human League are still one of the world's most successful synth bands, but their new album was a long time coming, and they've stuck guitars all over it. The League's Ian Burden explains why.

Outside Of C

Feature | Topic: Tuition / Technique, Music Theory | One Two Testing, Jul 1985

intervals and the keyboard, plus chord of the month

Inside Views: Ray Dolby

Interview | Sound On Sound, Jul 1987
The world's best known engineer

Ray Dolby's name appears on almost every recording device imaginable, yet few people outside the industry know much about this most famous engineer. In a rare interview he talks to David Mellor and explains the evolution of Dolby noise reduction.

Roland ATW-10 Audio Producer

Group: Quality Control

Review | Music Technology, Feb 1994
for the PC

Roland's first foray into the PC direct-to-disk recording field and it looks pretty impressive.

Grief

Feedback | Music Technology, Mar 1994

A 2-page Paracetamol for your technical headaches.

Recording Techniques - Part 1

Feature Series | Topic: Recording | Sound On Sound, Dec 1989

What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important.

 

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