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Yamaha DX1Review | Electronics & Music Maker, Oct 1983Programmable Polyphonic FM SynthesizerAn overview of this flagship of the DX range of FM-based synthesisers |
Dream sequences - Part 2Group: Sound AdviceMore sequencing tips |
Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |
Take a StandReview | Electronics & Music Maker, Jun 1985There's no point having a mass of electronic keyboards if you've got nothing to mount them on, but how many keyboard stands are available, and what do they offer? Trish McGrath stands up to the lot of them in an extensive survey. |
Working BeatsInterview | Music Technology, Mar 1991From their excellent 1984 debut single 'Venceremos', Working Week have charted a unique course between fashionability and credibility. Simon Trask works out with Simon Booth. |
Track Record - Tomb of MemoriesGroup: Recording WorldPaul Young's Tomb Of Memories analysed track by track |
No Fixxed AbodeInterview | Making Music, Aug 1986Big in America, big in rehearsal rooms — but why isn't this dead good pop group dead big here? |
JCD Feeling PartnerReview | Music Technology, Apr 1992Atari ST SoftwareOne emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too. |
Gibson Chet Atkins, LucilleGroup: Guitar Special |
You Can Make It If You Try - Part 2Feature Series | Topic: Recording Studios | Home & Studio Recording, Jun 1985Dave Simpson concludes the saga of Thatched Cottage Studio and how it came about. |
Playing With FurInterview | International Musician & Recording World, Sep 1986Breaking American, expensive recordings and living with your own history — Paul Trynka swaps top hats and tall tales with Furs guitarist John Ashton |
Custom Sound Cub CombosReview | International Musician & Recording World, Dec 1985AmpcheckPaul Francis goes scouting for the cubs |
It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
Electronic Percussion - Part 1Feature Series | One Two Testing, Jan 1984Self confessed synth merchant Dave Stewart reveals how to do away with drummers. |
Sessioneers - Part 2Feature Series | Topic: Performing | Making Music, Dec 1986Sessionmen SpecialPart two of studiotime, with bassist Paul Westwood and guitarist Tim Renwick. |
RumblingsGroup: Computer MusicianAll the latest news and reviews on the computer scene |
Sydney Harbours RadicalsFeature | Music Technology, Feb 1988Sydney Music ConservatoriumMusic technology Australian style. To prove that there's more to the Australian music scene than the Fairlight, Jonathan Puckeridge pays a visit to the Sydney Music Conservatorium. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Feb 1986Happy Christmas?!Tony Mills looks back at Xmas 85, to see whether what you got for it was worth getting |