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Yamaha TG33Review | Music Technology, Mar 1991Tone GeneratorLatest in the SY/TG line of descent, the TG33 module offers post-FM synthesis combined with the vector control pioneered on the Prophet VS synth. Ian Waugh expands on the '33. |
Ludwig Rainbow VistaliteReview | International Musician & Recording World, Nov 1975DrumCheckBob Henrit reviews the new Ludwig acrylics. |
Dr T'S D110 EditorReview | Music Technology, Jan 1989Software for the Atari STThe latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way. |
Killing TimeInterview | International Musician & Recording World, May 1985The young chart hopefuls share a few giggles with Jonathan James |
Oranges ripened in the topical sunInterview | One Two Testing, Oct 1984the fruit of guitarmanship disclosed |
Equally Tempered Digital to Analog ConverterFeature | Topic: Electronics / Build | Polyphony, Oct 1976 |
LettersFeedback | Polyphony, Jul/Aug 1978 |
History of the FutureInterview | Electronics & Music Maker, Sep 1986Kaleidophon StudiosSimon Trask travels to North London to visit one of Britain's longest-established synth studios, and to talk to its creator, electronic composer David Vorhaus. |
Peavey DECA-700 Power AmpReview | In Tune, Jul/Aug 1985 |
Pearl Export EX22 D 50Review | International Musician & Recording World, Mar 1985DrumcheckBob Henrit draws a line between the Maxwin and the Professional and finds a good-looking, clean-sounding kit |
Magic, Mystery & MusicGroup: Sound Reports & Views |
On The 8-Track - Sackville SoundFeature | Topic: Recording Studios | Home & Studio Recording, Sep 1983Studio Focus |
BeeBMIDI - Part 5Group: Computer MusicianJay Chapman's crusade to get E&MM readers writing their own BBC software continues, with a look at how interrupt-handling works out in practice. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jan 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Soundcraft 200B Mixing ConsoleGroup: Recording WorldStudio TestJim Betteridge enthuses, or could it really be John Bull |
Foreign AffairsInterview | International Musician & Recording World, Apr 1985US successes return to Blighty with the formula for Stateside MOR safely intact. Interview by Jonathan James |
Redmere Soloist AmpReview | Sound International, Jan 1979GuitarIf I were to say, 'Dave Blake isn't, in the same way as the Redmere Soloist combo is,' you'd probably wonder what on earth I was talking about. So I won't. |
Sample ShopReview | Sound On Sound, Mar 1993 |
BuzzNews | International Musician & Recording World, Jan 1986Analysis, comment, discussion... hey, Rock'n' Roll |
Yamaha YD822Review | International Musician & Recording World, Sep 1985DrumcheckThe big, bold, beautiful sound of a wooden-shelled, craftsman-made piece of drumming perfection — Bob Henrit |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |