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The Integration Game - Part 2

Feature Series | Topic: MIDI | Sound On Sound, Sep 1992
Improving Your MIDI Environment

Martin Russ concludes his discussion of MIDI environments with an in-depth look at how to create your own profiles in X-Or and Galaxy.

Live End

Feature | Topic: Live | Sound On Sound, Jan 1993
Mixing The Cure

Live Music for the Hi-Tech Musician

Exclusive Performance

Feature | Topic: MIDI | Music Technology, Jul 1989

Vic Lennard considers the trials and triumphs of storing your synth patches as SysEx files within the sequences they're intended for, and concludes that MIDI really is your friend after all.

Tanrack System

Group: Recording World

Review | International Musician & Recording World, Sep 1985
Studio Test

The Tanrack system — no, not 19" mounting sunbeds but a new and interesting effects package. Jim Betteridge slaps on the Bergasol

Overtones

Feature | Topic: Music Business | One Two Testing, Oct 1985

whither EMI in the 1960s

Demo Doctor

Feature | Recording Musician, Jul 1992

Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo.

The News

News | Making Music, Apr 1986

Cheap guitars, new samplers, drum machines, synths and more - plus free details if you want them

Red Bill

Interview | One Two Testing, Jul/Aug 1986

The birth of HM jazz?

Live End

Feature | Topic: Live | Sound On Sound, Feb 1993
Simply Red: Two Shows In One

Live Music for the Hi-Tech Musician

Steinberg Proteus Synthworks

Review | Music Technology, Sep 1990
Software for the Atari ST

When it comes to sound editing on today's synth modules, there's no alternative to using a software editor. Vic Lennard explores the benefits of Steinberg's editor for the E-mu Proteus.

Back to Basics - Part 3

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1985

If you're a complete newcomer to the world of synthesisers, this is the series for you. Steve Howell takes a beginner's look at filters.

Digital Dance

Review | Electronics & Music Maker, Mar 1986
Lexicon PCM70

Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain.

AMII Photo Review

Show Report | International Musician & Recording World, Oct 1975

A look at the aftermath ot this year's Trade Fair

Nomad Axxeman

Review | Home & Studio Recording, May 1987

If you rely on the electric guitar in your recording but daren't annoy the neighbours, then this is what you've been dreaming about.

News

News | International Musician & Recording World, Nov 1985

No IM, No Comment

Steve Brown - Producer

Interview | Home & Studio Recording, Aug 1985

Not a household name perhaps, but this man is behind quite a lot of musical projects that you will no doubt recognise - as Janet Angus explains.

Factory Records

Interview | Music Technology, Sep 1993
Oceanic interviewed

Merseyside's pop trio on presets, jingles, Nirvana and 2 Unlimited

Third Generation 16/4/2 Mixer

Review | Home & Studio Recording, Nov 1984

Inside Views: Aphex

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987

Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter.

Climb Aboard The MIDI Bus - Part 1

Feature Series | Topic: MIDI | Electronic Soundmaker & Computer Music, Nov 1983

The amazing musical instrument interface

Patrick Moraz

Interview | Home & Studio Recording, Dec 1985

Having been involved with a bewildering number of projects in the past, Patrick Moraz and Graham Edge, keyboardist and drummer with The Moody Blues talk about their current work.

Remo Encore

Review | International Musician & Recording World, Jun 1986
DrumCheck

A cardboard kit? That doesn't need tuning? And professionals love? Bob Henrit has the facts

Klassisk Cut-Up

Interview | Music Technology, Apr 1989

Outcast by the classical fraternity in his native Sweden, Stig Miölssön has come to Britain in search of acceptance for his revolutionary ideas. Tim Goodyer learns about cut-up classics.

Microdeal Replay Professional

Review | Music Technology, Apr 1990
Atari ST Sampler

Turning your ST into a sampler is one way of getting into sampling on the cheap. Ian Waugh sounds out an improved version of Microdeal's successful Replay sampler.

America

News | Electronics & Music Maker, Apr 1982
N.A.M.M. Winter Market at Anaheim

A special guitar report from the N.A.M.M. show

 

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