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Gear News

Group: News and Reviews

News | Making Music, Aug 1987

Man Made Music

Interview | International Musician & Recording World, Sep 1986

Pete Gleadall runs up a transatlantic phone bill waiting for hip-hop whizzkid Mantronik to finish his hamburger and explain why the TR808 is still his favourite drum machine.

The Q-Chip Piano

Review | Electronics & Music Maker, Oct 1986
Ensoniq Piano

The Q-chip that was the heart of the Mirage and ESQ1 keyboards proves itself to be yet more versatile in the latest in electronic pianos. David Ellis dons concert pianist's tails and tinkles the ivories.

Bright New Things

Interview | Electronics & Music Maker, Oct 1986
Sharpe & Numan

Gary Numan renews his working relationship with Bill Sharpe for another single project. Dan Goldstein drops in on them, and discovers the link could soon become permanent.

Me and My E-mu

Review | Electronics & Music Maker, Sep 1985
Emulator SP12

What happens when you give a drum machine the sound-sampling capabilities of an Emulator keyboard? Little short of a miracle, according to reporters Paul Wiffen and Annabel Scott.

Edit Track

Review | Micro Music, Jun/Jul 1989

Hybrid Arts budget package that thinks big as John Renwick discovers

Roland S50

Review | Music Technology, Dec 1986
Digital Sampling Keyboard

The competition is tough for Roland's upmarket sampler. Paul Wiffen discovers if 16 voices, a fine keyboard, and direct monitor connection are enough to put it at the top of the tree.

The DMC Story

Group: On The Record

Interview | Topic: Music Business | Sound On Sound, Nov 1993
Tony Prince & The Disco Mix Club

The ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix.

Home Electro-Musician

Feature Audio | Topic: Home Studio | Electronics & Music Maker, Feb 1982
Johnny Demestos

On The Record

Show Report | In Tune, Jul/Aug 1985
APRS Show reviewed

Paris Music Fair

Show Report | Sound On Sound, Nov 1986

Our roving reporter Mark Jenkins takes a look off the beaten track at some of the more interesting French equipment shown at last month's Paris Music Fair.

Long-haul Flite

Group: Control Room

Review | The Mix, Aug 1994
3G Flite 8

A console for concerts

John Hornby Skewes Amplifiers

Review | Electronics & Music Maker, Feb 1982

Powerful Combinations Plus

Review | Electronics & Music Maker, Feb 1985

Following on from last month's five-amp round-up, Paul White puts two more keyboard combos thoroughly through their paces. Do they make the grade?

Chroma Polaris

Review | Electronics & Music Maker, Nov 1984
Programmable Polysynth with Sequencer

CBS-Fender's 'budget' polysynth retails at £1700. Mick Jones finds out if it can hold its head above the competition.

Pearl 'Rock Kit'

Review | International Musician & Recording World, Sep 1975
DrumCheck

Argent's Bob Henrit takes a Pearl kit apart

Newsdesk

News | Electronics & Music Maker, Dec 1984

Upcoming electronic music products and events.

Cactus Drum Synth

Review | One Two Testing, Jun 1984

budget synth drums

Audio-Technica ATM63 & ATM41a Mikes

Review | In Tune, Apr 1985

African Music - Part 3

Feature Series | Topic: Home Studio | Sound On Sound, Dec 1987

Having recently released his own independent LP, 'Oh Africa', we asked Sound On Sound reader Kofi Busia to write about his experiences. In this the third and final part of his story, he reveals his discoveries about the record industry and explains why he set up his own record label.

Mark Of The Unicorn Mosaic

Review | Sound On Sound, Jun 1992

Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition.

Tascam TSR8 vs Fostex E8

Review | Sound On Sound, Jul 1989
The 8-Track Challenge

The 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks.

Oric-1

Review | Electronics & Music Maker, Mar 1983

Designs On The Future

Show Report | Topic: Design, Development & Manufacture, Marketing / Promotion, Multimedia / Graphics / Visuals | Sound On Sound, Nov 1993
Roland Desk Top Media Press Conference

Living on the Frontline

Review | In Tune, Nov 1986

Frontline pedals — More for Less?

 

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