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Gear NewsGroup: News and Reviews |
Man Made MusicInterview | International Musician & Recording World, Sep 1986Pete Gleadall runs up a transatlantic phone bill waiting for hip-hop whizzkid Mantronik to finish his hamburger and explain why the TR808 is still his favourite drum machine. |
The Q-Chip PianoReview | Electronics & Music Maker, Oct 1986Ensoniq PianoThe Q-chip that was the heart of the Mirage and ESQ1 keyboards proves itself to be yet more versatile in the latest in electronic pianos. David Ellis dons concert pianist's tails and tinkles the ivories. |
Bright New ThingsInterview | Electronics & Music Maker, Oct 1986Sharpe & NumanGary Numan renews his working relationship with Bill Sharpe for another single project. Dan Goldstein drops in on them, and discovers the link could soon become permanent. |
Me and My E-muReview | Electronics & Music Maker, Sep 1985Emulator SP12What happens when you give a drum machine the sound-sampling capabilities of an Emulator keyboard? Little short of a miracle, according to reporters Paul Wiffen and Annabel Scott. |
Edit TrackReview | Micro Music, Jun/Jul 1989Hybrid Arts budget package that thinks big as John Renwick discovers |
Roland S50Review | Music Technology, Dec 1986Digital Sampling KeyboardThe competition is tough for Roland's upmarket sampler. Paul Wiffen discovers if 16 voices, a fine keyboard, and direct monitor connection are enough to put it at the top of the tree. |
The DMC StoryGroup: On The RecordTony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
Home Electro-MusicianFeature Audio | Topic: Home Studio | Electronics & Music Maker, Feb 1982Johnny Demestos |
Paris Music FairShow Report | Sound On Sound, Nov 1986Our roving reporter Mark Jenkins takes a look off the beaten track at some of the more interesting French equipment shown at last month's Paris Music Fair. |
John Hornby Skewes AmplifiersReview | Electronics & Music Maker, Feb 1982 |
Powerful Combinations PlusReview | Electronics & Music Maker, Feb 1985Following on from last month's five-amp round-up, Paul White puts two more keyboard combos thoroughly through their paces. Do they make the grade? |
Chroma PolarisReview | Electronics & Music Maker, Nov 1984Programmable Polysynth with SequencerCBS-Fender's 'budget' polysynth retails at £1700. Mick Jones finds out if it can hold its head above the competition. |
Pearl 'Rock Kit'Review | International Musician & Recording World, Sep 1975DrumCheckArgent's Bob Henrit takes a Pearl kit apart |
Audio-Technica ATM63 & ATM41a MikesReview | In Tune, Apr 1985 |
African Music - Part 3Feature Series | Topic: Home Studio | Sound On Sound, Dec 1987Having recently released his own independent LP, 'Oh Africa', we asked Sound On Sound reader Kofi Busia to write about his experiences. In this the third and final part of his story, he reveals his discoveries about the record industry and explains why he set up his own record label. |
Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. |
Tascam TSR8 vs Fostex E8Review | Sound On Sound, Jul 1989The 8-Track ChallengeThe 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks. |
Oric-1Review | Electronics & Music Maker, Mar 1983 |
Designs On The FutureShow Report | Topic: Design, Development & Manufacture, Marketing / Promotion, Multimedia / Graphics / Visuals | Sound On Sound, Nov 1993Roland Desk Top Media Press Conference |