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Boss Digital Delay DE-200

Review | In Tune, Apr 1985

Anatek Pocket FX

Review | Music Technology, Aug 1989
Pocket Filter, Pedal & Merge

What's the size of a fag pocket, comes in enough varieties to ease almost any studio problem and isn't covered by British drug laws? Vic Lennard investigates a new line in MIDI effects.

Steinberg Synthworks D10/20/110/MT32

Review | Music Technology, Apr 1989
Software for the Atari ST

Steinberg's Atari editor for the Roland D10 also works for the MT32 - or is that Steinberg's D110 editor works with the D20? Vic Lennard gets generic with Synthworks.

Sonor - Phonic Sound Machine XK9409

Review | Sound International, May 1978

A Sonor Phonic concert tom kit leaves reviewer Peter Randall breathless.

Ensoniq Mirage

Review | Electronics & Music Maker, Jul 1985

At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen.

D is for Drum

Feature | Electronic Soundmaker & Computer Music, May 1984

Digital Drum focus

Simmons SDS9

Review | One Two Testing, Jul 1985

kits, rim shots, playing surfaces

Softwind Synthophone

Review | Music Technology, Nov 1988
MIDI Saxophone

The latest MIDI wind controller comes from Switzerland and uses a conventional sax body. Michael Andreas checks out the traditionalists' alternative.

The Contender

Review | Electronic Soundmaker & Computer Music, Nov 1984
Kurzweil K250

Sampling with the Kurzweil 250. Will it knock out the Fairlight?

SCI Model 64 Sequencer

Review | Electronics & Music Maker, Jun 1984

Sequential Circuits' MIDI sequencer for the Commodore 64 looks like a bargain at only £185. David Ellis checks out the reality.

2nd Sense Studio

Feature | Topic: Recording Studios | Music Technology, Apr 1988

Take an eight-track tape deck and a 128-track MIDI sequencer and you've got the basis of 2nd Sense studio. Nicholas Rowland visits a studio taking full advantage of what modern technology has to offer.

You Can Make It If You Try - Part 2

Feature Series | Topic: Recording Studios | Home & Studio Recording, Jun 1985

Dave Simpson concludes the saga of Thatched Cottage Studio and how it came about.

From Britain With Love: Gear

Feature | International Musician & Recording World, Jul 1985

While Paul Bacon looks at the UK companies that have received worldwide acclaim

Fender Starcaster

Review | Sound International, Jul 1978

Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters).

Yamaha RX8

Review | Music Technology, Jun 1989
Digital Rhythm Programmer

Two years on from their impressive, RX5 drum machine, Yamaha have slimmed down their flagship to give us an affordable 16-bit beat box. Chris Many reckons it could be a hit.

The Shape of Things To Come

News | Sound On Sound, Feb 1987

Another digital reverb from Alesis, a waveform digitizing pad for the Roland S50 sampler, Passport's multitrack software for the Atari ST, exclusive news of the world's first ever 8-track recorder to use standard cassettes, and more...

Yamaha BX-1

Review | International Musician & Recording World, Feb 1986
BassCheck

Dave Burrluck keeps his head with a headless newcomer

Sample Shop

Review | Sound On Sound, Sep 1992

Sample sultan Wilf Smarties reports on the latest sample CDs.

Stack In A Rack - Part 2

Review Series | Electronics & Music Maker, Aug 1986
Tanrak System

Ian Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future.

RAM Music Machine

Review | Music Technology, Jan 1987
For Spectrum and Amstrad Computers

The would-be Fairlight killer comes under scrutiny at last. Ian Waugh reports on an ambitious add-on for Spectrum and Amstrad micros.

Yamaha MT1X

Review | Home & Studio Recording, Jun 1986
Multitrack Cassette Recorder

Affordable cassette multitrack with a few unexpectedly sophisticated features.

Teac A-3440

Feature | Home & Studio Recording, May 1985
4 Channel Multitrack Tape Deck

Now it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440.

In The Heart Of The Country

Feature | Topic: Recording Studios | Music Technology, Apr 1987
The Wool Hall

If you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports.

Fair Facts

Show Report | Electronics & Music Maker, Jul 1985

A sneak preview of what you can expect to see at this year’s British Music Fair - the first to open its doors to the public for years.

Pearl DRX-1

Review | One Two Testing, Apr 1985

electronic drums

 

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