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Boss Digital Delay DE-200Review | In Tune, Apr 1985 |
Anatek Pocket FXReview | Music Technology, Aug 1989Pocket Filter, Pedal & MergeWhat's the size of a fag pocket, comes in enough varieties to ease almost any studio problem and isn't covered by British drug laws? Vic Lennard investigates a new line in MIDI effects. |
Steinberg Synthworks D10/20/110/MT32Review | Music Technology, Apr 1989Software for the Atari STSteinberg's Atari editor for the Roland D10 also works for the MT32 - or is that Steinberg's D110 editor works with the D20? Vic Lennard gets generic with Synthworks. |
Sonor - Phonic Sound Machine XK9409Review | Sound International, May 1978A Sonor Phonic concert tom kit leaves reviewer Peter Randall breathless. |
Ensoniq MirageReview | Electronics & Music Maker, Jul 1985At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
Softwind SynthophoneReview | Music Technology, Nov 1988MIDI SaxophoneThe latest MIDI wind controller comes from Switzerland and uses a conventional sax body. Michael Andreas checks out the traditionalists' alternative. |
The ContenderReview | Electronic Soundmaker & Computer Music, Nov 1984Kurzweil K250Sampling with the Kurzweil 250. Will it knock out the Fairlight? |
SCI Model 64 SequencerReview | Electronics & Music Maker, Jun 1984Sequential Circuits' MIDI sequencer for the Commodore 64 looks like a bargain at only £185. David Ellis checks out the reality. |
2nd Sense StudioFeature | Topic: Recording Studios | Music Technology, Apr 1988Take an eight-track tape deck and a 128-track MIDI sequencer and you've got the basis of 2nd Sense studio. Nicholas Rowland visits a studio taking full advantage of what modern technology has to offer. |
You Can Make It If You Try - Part 2Feature Series | Topic: Recording Studios | Home & Studio Recording, Jun 1985Dave Simpson concludes the saga of Thatched Cottage Studio and how it came about. |
From Britain With Love: GearFeature | International Musician & Recording World, Jul 1985While Paul Bacon looks at the UK companies that have received worldwide acclaim |
Fender StarcasterReview | Sound International, Jul 1978Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters). |
Yamaha RX8Review | Music Technology, Jun 1989Digital Rhythm ProgrammerTwo years on from their impressive, RX5 drum machine, Yamaha have slimmed down their flagship to give us an affordable 16-bit beat box. Chris Many reckons it could be a hit. |
The Shape of Things To ComeNews | Sound On Sound, Feb 1987Another digital reverb from Alesis, a waveform digitizing pad for the Roland S50 sampler, Passport's multitrack software for the Atari ST, exclusive news of the world's first ever 8-track recorder to use standard cassettes, and more... |
Yamaha BX-1Review | International Musician & Recording World, Feb 1986BassCheckDave Burrluck keeps his head with a headless newcomer |
Sample ShopReview | Sound On Sound, Sep 1992Sample sultan Wilf Smarties reports on the latest sample CDs. |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
RAM Music MachineReview | Music Technology, Jan 1987For Spectrum and Amstrad ComputersThe would-be Fairlight killer comes under scrutiny at last. Ian Waugh reports on an ambitious add-on for Spectrum and Amstrad micros. |
Yamaha MT1XReview | Home & Studio Recording, Jun 1986Multitrack Cassette RecorderAffordable cassette multitrack with a few unexpectedly sophisticated features. |
Teac A-3440Feature | Home & Studio Recording, May 19854 Channel Multitrack Tape DeckNow it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440. |
In The Heart Of The CountryFeature | Topic: Recording Studios | Music Technology, Apr 1987The Wool HallIf you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports. |
Fair FactsShow Report | Electronics & Music Maker, Jul 1985A sneak preview of what you can expect to see at this year’s British Music Fair - the first to open its doors to the public for years. |