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State of IndependenceFeature | Topic: Marketing / Promotion, Music Business | Electronics & Music Maker, Jun 1984Dan Goldstein sifts through the stack of independent vinyl that landed in the E&MM offices following our appeal, and finds each record has a different tale to tell. |
Korg DW6000Review | Electronics & Music Maker, Mar 1985Programmable Digital Waveform PolysynthAn intriguing new synth design that tries to combine digital waveform generation with analogue control. Does it achieve its objectives? Dan Goldstein thinks it does - just. |
Dynacord DRP16 Digital ReverbReview | Home & Studio Recording, Dec 1984 |
Keep Taking the TabloidsFeature | Topic: Marketing / Promotion | Phaze 1, Jan 1989the music papers and how to get your name into them |
Fade away and radiateGroup: Sound AdviceBob Dormon's effects tutorials conclude with a look at multi-effects units |
Yamaha EMP700Review | Sound On Sound, Aug 1992Stereo Effects ProcessorIt's slim, dark and sexy, flashes alluringly in a rack and has multiple uses - it's Yamaha's latest sound processor, the EMP700. Derek Johnson opens up the black magic box. |
Phonic PMC 240A Mixing DeskReview | Recording Musician, May 1993This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer? |
Sound on StageFeature | Topic: Live | Electronics & Music Maker, Aug 1982A Short History of British PABritish PA |
Come In No. 7Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jul 1992In the days before Roland established their reputation for consistently delivering the goods, they turned out some weird and wonderful synths. Peter Forrest lifts the dust cover on the old SH7 monosynth. |
NewsCompetition | Sound International, Jun 1979Aria Competition Answers, Portland Studios, Introducing News Notes |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Westone Super Headless Bass & Spectrum Six GuitarReview | International Musician & Recording World, May 1985Basscheck, GuitarcheckSix-stringed and headless. Dave Burrluck goes and does it again |
A Fair ShowingShow Report | Music Technology, Sep 1988BMF ReportThis year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley. |
A Taste of ParadiseReview | Sound On Sound, Mar 1986Ensoniq Mirage Multi-SamplerManufacturers of keyboard samplers are now turning their attentions to the studio market by offering enhanced rack-mount versions of their products. Mark Jenkins waited anxiously at Heathrow for the first device to hit our shores - the budget-priced, 8-voice multi-sampler from Ensoniq. Read his report. |
Shared Interests - Part 1Feature Series | Topic: Computing | Music Technology, Mar 1994Shareware & Public Domain softwareMountains of useful programs can be yours for nothing! Well, it's a public service, innit? declares Ian Waugh. |
Digigram Studio 24 & Big BandReview | Music Technology, Nov 1988Software for the Atari STAnother sequencing package for the Atari ST, but this one has a companion that will help compose and arrange your music. Ian Waugh strikes up the band. |
MIDI FXReview | Electronics & Music Maker, Jun 1985For what was supposed to be a universal interface, MIDI has trouble enough staying in touch with itself, let alone the outside world. Tim Goodyer looks at four auxiliary units that set out to improve matters. |
Hybrid Arts EditTrack Gold ST SequencerReview | Sound On Sound, Sep 1991Pro Power At A Nice PriceDavid Mellor looks at a fully featured sequencing package with a surprisingly low price tag. |
Adventures In Television RecordingFeature | Topic: Live, Recording, Video / Film / Picture | Home & Studio Recording, Feb 1986John Harris draws on personal experience to reveal some of the problems encountered when recording TV pop music programmes. |
The Search For ExpressionFeature | Topic: Design, Development & Manufacture | Sound On Sound, Sep 1987A History of Wind SynthesizersCould the wind of change be upon us? MIDI has already given guitarists and drummers the means to control electronic sounds, and the launch of the Akai and Yamaha wind controllers now allows woodwind and brass players to join in. John L. Walters takes a general look at the historical development of wind synthesizers, and the Akai and Yamaha products in particular. |
It Seemed Like A Good Idea At The TimeFeature | Topic: Design, Development & Manufacture | One Two Testing, May 1985certain weird inventions in the name of music |
FrontLinesNews | Phaze 1, May 1989People, Gear, Events, Gossiphappening people, gear, events, gossip |