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The Gap NarrowsShow Report | Music Technology, Jan 1987AES ReportDan Goldstein and Paul Wiffen go down and out in Beverly Hills - and drop in on America's biggest recording convention along the way. Within its walls, a quiet revolution is taking place... |
Studio SceneGroup: Computer MusicianGoldsmiths College Electronic Music Studio |
Incoming DataNews | Music Technology, Jun 1993 |
From Britain With Love: GroupsFeature | Topic: Marketing / Promotion | International Musician & Recording World, Jul 1985Richard Walmsley contemplates British success in the US and meets two bands who have achieved just that... |
Incoming DataNews | Music Technology, Jul 1993 |
Roland S770 SamplerReview | Sound On Sound, Jul 1990Roland's flagship sampling module boasts an impressive specification, and its page-based screens are oddly reminiscent of the famous Fairlight. Kendall Wrightson finds out how impressive it is in the flesh. |
Heroes - Part 12Feature Series | Topic: History / Culture | One Two Testing, Dec 1984Brian Eno and the studio |
RSF 140 Sampling Drum MachineReview | Sound On Sound, May 1987Mark Jenkins reckons he knows his onions when it comes to hi-tech gear, so we asked him to concoct a tasty little number with this new French sampling drum machine - a cross between an RX11 and SP-12. |
Roland S10Review | Music Technology, Dec 1986Sampling KeyboardSimon Trask again, this time experiencing the simple delights of the budget Roland sampler. It's easy to use, but has the low cost brought too many compromises? |
Five Days in FrankfurtShow Report | One Two Testing, Apr 1984Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts. |
Commodore 64 - The Soft Way, The Hard Way, The MIDI WayFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jul 1984Floppy disks and tape, Microsound 64, SCI Model 64 |
Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
Kawai K3 Synth SystemReview | Music Technology, Dec 1986Digital Wave Memory SynthesiserRick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software. |
Casio FZ20MReview | Music Technology, Mar 1990Digital SamplerWith two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers. |
Bokse SM-9Review | Home & Studio Recording, May 1987SMPTE Events ControllerThe increasing popularity of SMPTE has meant a corresponding growth in sync units. We take a look at this one from Bokse. |
Sequencers Have Feelings TooFeature | Topic: Sequencing | Sound On Sound, Aug 1992Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit... |
Professionals Just Wanna Have FunShow Report | Sound On Sound, May 1991Musik Messe Frankfurt ReportEvery year without fail, hi-tech instrument manufacturers congregate in the huge exhibition halls of frankfurt to show off their very latest creations. Paul Ireson brings you the edited highlights of this year's show. |
Beat DisInterview | Sound On Sound, Jun 1991Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins. |
The Z-plane to HyperspaceGroup: Control RoomE-mu Ultra ProteusThe pre-eminent Proteus |
Hands OnFeature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jul 1991Emu Emax IIThe first in an occasional series in which David Mellor looks at well-established and respected pieces of musical and audio equipment, and tells you what you need to know to start making music with them. |