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Heaven's Gate

Interview | One Two Testing, Aug 1984

Martyn Ware flatters Fairlights

Kajagoogoo Kulakism

Interview | Electronic Soundmaker & Computer Music, Jan 1984

Life after Limahl

The Gap Narrows

Show Report | Music Technology, Jan 1987
AES Report

Dan Goldstein and Paul Wiffen go down and out in Beverly Hills - and drop in on America's biggest recording convention along the way. Within its walls, a quiet revolution is taking place...

Wizard of Oz

Interview | One Two Testing, Sep 1986

Ripping Yarns from Perth popsters

Studio Scene

Group: Computer Musician

Feature | Topic: Education, Recording Studios | Electronics & Music Maker, Sep 1983
Goldsmiths College Electronic Music Studio

Incoming Data

News | Music Technology, Jun 1993

From Britain With Love: Groups

Feature | Topic: Marketing / Promotion | International Musician & Recording World, Jul 1985

Richard Walmsley contemplates British success in the US and meets two bands who have achieved just that...

Incoming Data

News | Music Technology, Jul 1993

Roland S770 Sampler

Review | Sound On Sound, Jul 1990

Roland's flagship sampling module boasts an impressive specification, and its page-based screens are oddly reminiscent of the famous Fairlight. Kendall Wrightson finds out how impressive it is in the flesh.

Heroes - Part 12

Feature Series | Topic: History / Culture | One Two Testing, Dec 1984

Brian Eno and the studio

RSF 140 Sampling Drum Machine

Review | Sound On Sound, May 1987

Mark Jenkins reckons he knows his onions when it comes to hi-tech gear, so we asked him to concoct a tasty little number with this new French sampling drum machine - a cross between an RX11 and SP-12.

Roland S10

Review | Music Technology, Dec 1986
Sampling Keyboard

Simon Trask again, this time experiencing the simple delights of the budget Roland sampler. It's easy to use, but has the low cost brought too many compromises?

Five Days in Frankfurt

Show Report | One Two Testing, Apr 1984

Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts.

Commodore 64 - The Soft Way, The Hard Way, The MIDI Way

Feature | Topic: Computing | Electronic Soundmaker & Computer Music, Jul 1984
Floppy disks and tape, Microsound 64, SCI Model 64

Roland E660

Review | Music Technology, Oct 1988
Digital Parametric Equaliser

The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.

Electric Blue

Interview | Music Technology, Feb 1989

From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection.

Kawai K3 Synth System

Review | Music Technology, Dec 1986
Digital Wave Memory Synthesiser

Rick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software.

Cadenza For Windows

Review | Music Technology, Aug 1992
IBM PC Software

Play solo on the PC.

Casio FZ20M

Review | Music Technology, Mar 1990
Digital Sampler

With two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers.

Bokse SM-9

Review | Home & Studio Recording, May 1987
SMPTE Events Controller

The increasing popularity of SMPTE has meant a corresponding growth in sync units. We take a look at this one from Bokse.

Sequencers Have Feelings Too

Feature | Topic: Sequencing | Sound On Sound, Aug 1992

Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit...

Professionals Just Wanna Have Fun

Show Report | Sound On Sound, May 1991
Musik Messe Frankfurt Report

Every year without fail, hi-tech instrument manufacturers congregate in the huge exhibition halls of frankfurt to show off their very latest creations. Paul Ireson brings you the edited highlights of this year's show.

Beat Dis

Interview | Sound On Sound, Jun 1991

Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins.

The Z-plane to Hyperspace

Group: Control Room

Review Audio | The Mix, Nov 1994
E-mu Ultra Proteus

The pre-eminent Proteus

Hands On

Feature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jul 1991
Emu Emax II

The first in an occasional series in which David Mellor looks at well-established and respected pieces of musical and audio equipment, and tells you what you need to know to start making music with them.

 

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