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Tannoy Stratford SpeakersReview | Home & Studio Recording, Sep 1983 |
Mr Bass ManInterview | Micro Music, Aug/Sep 1989Vie Marshall talks to record producer Simon Harris, but will he show her his Yo-Yo? |
Fairlight's Father - Part 2Interview Series | Music Technology, Jun 1987TechTalk: Kim RyrieSecond and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology. |
Recording Techniques - Part 18Feature Series | Topic: Recording | Sound On Sound, May 1991Any Questions?Part 18. David Mellor concludes this 18-part mammoth series on recording techniques with a handy question and answer session. |
When Is A Computer? - Part 8Feature Series | Topic: Computing, Sampling | One Two Testing, Jun 1984sampling secrets |
Effective ActionFeature | Topic: MIDI | Music Technology, Jun 1990Outboard signal processors have been sporting MIDI sockets on their rear panels for some time now, but just what can MIDI do for fx and how can you best use it? Vic Lennard patches into processing. |
Vesta Fire Modular Effects SystemReview | Home & Studio Recording, Mar 1985 |
Practical Studio Design - Part 2Feature Series | Topic: Acoustics, Construction / Build | Sound On Sound, Sep 1993Soundproofing Doors And Windows |
Sampling Techniques - Part 2Feature Series | Topic: Sampling | Sound On Sound, Jan 1993How To Get The Most From Your Sampler |
Art AttackReview | Recording Musician, Jan 1993ART SGX T2 Guitar And Studio FXART have what is probably the most confusing product range on the market — and this is one of the latest models. |
The ScintillatorReview | Home & Studio Recording, Sep 1985A professional stereo enhancer at a affordable price. |
Frankfurt Musik Messe 1984Show Report | Electronics & Music Maker, Feb 1984The largest event of its type in Europe, Frankfurt is the showcase for all that is new and innovative. This three page preview looks at some of the products that will be there. |
The Syndrom - Part 3Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1984Fun and FrolicsPart three, and the introduction of a double-triggering circuit that enables more than one sample to be triggered without the user having to buy multiple EPROMs. |
Auratone T6 MonitorsReview | Home & Studio Recording, Oct 1984 |
Drum Programming - Part 8Feature Series | Topic: Drum Programming | Sound On Sound, Dec 1992A Series By Warren Cann. |
Yamaha 9000 SeriesReview | Sound International, Dec 1978DrumsPete Randall paradiddles and chickachickabooms on the Yamaha YD9124W and reports back to base camp. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Apr 1989Hints, Tips & News From The World Of Music SoftwareMore hints, tips and update news from the world of music software. |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
TC Electronics Stage Effects UnitsReview | International Musician & Recording World, Sep 1985EffectscheckThere is nothing like a Dane, as Dave Burrluck found |
Musicsoft MIDImanReview | Music Technology, Jul 1989MIDI Tape Recorder InterfaceIf the prospect of throwing your computer into the back of a Ford Transit and hauling it on stage every night fills you with dread, the new MIDIMan from Musicsoft might well be the solution. |
Hybrid Arts SMPTETrack GoldReview | Music Technology, Sep 1991Atari ST SoftwareWithout UK distribution, Hybrid's Atari sequencers have almost been forgotten. But now they're back with a Gold update to shout about, as Vic Lennard finds out. |
Tony ViscontiInterview | Home & Studio Recording, Oct 1985Paul White talks to Tony Visconti about his career, his production methods and his plans for the future. |
Sweet SixteenReview | Sound On Sound, Jan 1991Ensoniq EPS16 Plus Sampling WorkstationEnsoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates. |
Return to Zero - Part 6Feature Series | Topic: Mixing, Recording | Home & Studio Recording, Jul 1985MixersIn this month's article we take a look at the most central piece of equipment in any recording studio; the mixer. |