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TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
Sessionmaster Guitar PreampReview | Recording Musician, Jul 1992Instant rock guitar without all the hassle of amps and microphones. |
Night flight to the oasisGroup: In SessionEngineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
Redmere Soloist AmpReview | Sound International, Jan 1979GuitarIf I were to say, 'Dave Blake isn't, in the same way as the Redmere Soloist combo is,' you'd probably wonder what on earth I was talking about. So I won't. |
Take the MoneyFeature | Topic: Home Studio | Home & Studio Recording, Aug 1985Paul White takes a look at what's involved when you start taking on paying customers in your studio. |
The Shape of Things to ComeNews | Sound On Sound, Oct 1988More news of forthcoming products to make you drool and tempt you to dig even deeper into your pockets. |
4T/FX and d2d EditGroup: Quality ControlSoftware for the Atari FalconFrom D2D2U - tapeless recording on the Falcon |
Casio DA7Review | Music Technology, Feb 1991Portable DAT RecorderCasio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more. |
Ensoniq SQ1Review | Sound On Sound, Jul 1990Personal Music StudioEnsoniq don't bombard the market with products - they take their time and get it right. Paul Ireson casts an eye over their new SQ1 workstation. |
Daniel LanoisFeature | Sound On Sound, Feb 1990Visions of ArcadiaVia engineering and production work with Brian Eno, Peter Gabriel, Robbie Robertson and U2, Daniel Lanois has unmistakenly imprinted his personality on the sound of the Eighties. Recently he released his own solo album, ‘Acadie’; Mark J. Prendergast runs through the tracks. |
Marantz CP430 Stereo Cassette RecorderReview | Home & Studio Recording, Feb 1985 |
Arif MardinInterview | Sound On Sound, Jul 1987Question: What do Phil Collins, Howard Jones, Chaka Khan and David Bowie have in common? Answer: They have all recorded with Arif Mardin, one of the world's top record producers. Robin Tolleson chats to the man himself... |
Fast ForwardNews | Home & Studio Recording, Jan 1986 |
TwisterFeature | Sound On Sound, Aug 1987Programmable Automation ComputerNew writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk. |
Environmentally funkyGroup: Sound AdviceLive sound levelsKeeping the law enforcers sweet |
Turbo ChargedReview | Micro Music, Oct/Nov 1989John Renwick takes an internal sound chip synth program for the Atari ST for a test drive |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Oct 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Coda, and Dr. T. |
Alan ParsonsInterview | Topic: Mastering, Restoration / Archival | Sound On Sound, Nov 199320 years of Pink Floyd's Dark Side of the MoonOriginal engineer on the 'Dark Side Of The Moon' sessions, Alan Parsons, explains the 20th anniversary remastering of this classic album. |
Ensoniq SQ1 Plus WorkstationReview | Sound On Sound, Jul 1991Almost exactly a year since the launch of the ensoniq SQ1, an updated version has arrived. Paul Ireson looks at the 1991 model of Ensoniq's most affordable workstation. |
The Shape of Things to ComeNews | Sound On Sound, Apr 1987Our regular monthly exploration of upcoming new products. |
The State of PlayInterview | Home & Studio Recording, Sep 1986Not so much a home studio as a studio in the home. |