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Drum FunFeature | Topic: Sampling | Sound On Sound, Jun 1991Even the biggest sample library never seems to have quite enough drum sounds. The solution? Roll your own. Craig Anderton passes on some hot hints and tips on how to get the best possible drum sounds out of your sampler. |
AmericaNews | Electronics & Music Maker, Jun 1982 |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
Alesis 1622 MixerReview | Sound On Sound, Mar 1990Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear. |
Japanese New Age MusicInterview | Sound On Sound, Nov 1986At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about. |
Mastering For DuplicationFeature | Topic: Mastering | Recording Musician, Feb 1993Mike Skeet reveals everything you need to know to get your final master tape ready for mass duplication. |
Polarity UnveiledFeature | Topic: Maintenance / Repair / Modification, Sound Fundamentals | Home & Studio Recording, Sep 1986Ben Duncan goes through one of his phases... |
Basic Microphone TechniqueFeature | Topic: Microphones, Recording | Sound International, Sep 1978Freelance engineer Steve Hall offers some guidance. |
Dawn of a New AgeInterview | Music Technology, Dec 1986From synth pop to sequencers and back. Two-and-a-half years since they lost graced our front cover, Paul Humphreys and Andy McCluskey tell Tim Goodyer how progress is made, as album number seven hits the streets. |
Purple PhaseGroup: In SessionHendrix rises again - thanks to two musicians, a helpful bureaucrat, and a rack-full of Akais |
Nuclear VisionGroup: Control RoomOpcode Studio VisionIntegrated sequencing/d-t-d recording |
Electro-Voice Sentry 100A SpeakersReview | Home & Studio Recording, Jan 1984 |
PA Signal Processor - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1981 |
BMF ReviewShow Report | International Musician & Recording World, Oct 1985All this and the scam from Olympia II |
A&R Arcam One MonitorsReview | Home & Studio Recording, Feb 1985 |
Shape Of Things To ComeNews | Sound On Sound, Sep 1991Yet another selection of recently announced new products to whet your appetite! |
The Art Of Recording Electronic InstrumentsFeature | Topic: Recording | Sound On Sound, Aug 1991Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly. |
Simon BozwellInterview | Home & Studio Recording, Mar 1986Simon is both a musician and a producer. This month he talks to Paul White about, amongst other things, his work doing 12" remixes for Nik Kershaw. |
You Can Make It If You Try - Part 1Feature Series | Topic: Recording Studios | Home & Studio Recording, May 1985Dave Simpson relates the saga of how his recording dreams became a reality. The Thatched Cottage sixteen track studio must be every home recordist's idea of a success story. |
Studio FocusGroup: Computer MusicianDurham University Electronic Music Studio |
Card TricksFeature | Topic: Computing | Sound On Sound, Mar 1992Music On The PCPanicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC. |
Incoming DataNews | Music Technology, Dec 1992 |
Cut And Thrust - Part 1Feature Series | Topic: Marketing / Promotion, Music Business | Music Technology, Jan 1993Cutting a recordMake your own music, make your own record, make your own luck |