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Shape Of Things To ComeNews | Sound On Sound, Nov 1990All the latest hi-tech goodies, brought to you in glorious technicolour. |
The Myths Of MIDIFeature | Topic: MIDI | Sound On Sound, Oct 1991MIDI has been with us for almost a decade, yet most users still labour under Misconceptions about what it actually can and cannot do. Paul D. Lehrman explodes some of the more common myths about MIDI. |
Hands On: Eventide H3000 SeriesFeature | Topic: Effects Processing | Sound On Sound, Apr 1993 |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
Kawai K1 EditorsReview | Sound On Sound, Dec 1988Steinberg & SoundbitsTony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer. |
Message In A SampleInterview | Music Technology, May 1993Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder. |
Record AttendanceShow Report | Music Technology, Aug 1988APRS ReportThe latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event. |
QSC Audio Model 1400 Power AmplifierReview | Home & Studio Recording, Sep 1984 |
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. |
Shape Of Things To ComeNews | Sound On Sound, Sep 1990Another colourful bonanza of hot new products served up to delight you |
Sample!Review | Micro Music, Jan 1990We look at internal sampling packages for all the top micros in this definitive round up |
Shape Of Things To ComeNews | Sound On Sound, Dec 1990This month's overview of all the new products worth adding to your Christmas list! |
Ensoniq Performance SamplerReview | Sound On Sound, Feb 1988The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others... |
Tool BoxNews Audio | The Mix, Aug 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
Kate BushInterview | Electronics & Music Maker, Oct 1982Not only vocalist, composer, dancer, choreographer, but also producer for her new album 'The Dreaming', Kate talks about her approach to composition and her newly acquired Fairlight CMI. |
Sounds Natural - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Aug 1987The Acoustic GuitarWe begin a new series that looks at how to recreate the sound of acoustic instruments using various methods of synth programming and sampling. In the first part, Howard Massey turns his attention to the acoustic guitar. |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Sep 1985Live AidGig of the century, report of the millenium by Jim Betteridge |
Past MastersGroup: In SessionSound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
Idol HandsInterview | International Musician & Recording World, Jul 1986William Tells all to Philip Bashe |
The 12th Harrogate International Festival of SoundShow Report | Electronics & Music Maker, Nov 1981This recent event had plenty to interest the hi-fi enthusiast. |
Monsters of RockReview | Recording Musician, Oct 1992Crate, Hughes & Kettner, ART Guitar PreampsWe take the H&K Metal Master, ART Powerplant, and Crate TDP recording guitar preamps into the studio in search of that elusive valve sound. |