The Freedom Factor

Opcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports.

Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

our look at the forthcoming Frankfurt Musical Instrument Fair - at 7½ Instruments Per Second

What's Up, Doc?

EQ Tutorial

Perfecting your sound with a little equalisation

Rhythm Workstation

With its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out.

Digital Sound Production System

12 Channel Mixer/12 Track Recorder

A sneak look at what you could well be buying in the forthcoming financial year

With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio.

Sound engineer with Sky chats about his work and gives advice about recording.

Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.

NAMM veteran Craig Anderton with news from the biggest and best music show in the US.

Following on from last month’s praise-filled preview. Paul Ireson takes a longer, harder look at Ensoniq's new VFX synthesizer, and finds that the beauty of this machine is far more than skin-deep. Is this the synth of 1989? Read the review to find out...

John started his career as a tape op and worked his way up. He is now a respected engineer and producer as well as being a great supporter of ambisonic recording.

Mixing in the MIDI Age

This two-part feature covers both the art and technology of mixing. The first article on page 48, 'Mixing Essentials', covers audio mixing in general, from a more basic level, and applies to any sort of studio mixing task. The second part, 'Mixing With MIDI’, starts on page 54 and covers techniques made possible by MIDI, specifically automated mixing and sending MIDI instruments direct to your master tape. Craig Anderton is your guide.

There's not a MIDI socket in sight on this range of German studio units. They are simply good solid audio processors. Dave Lockwood checks them out.

Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

MIDI Composition via Computer

The tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened.

The story of a CD

Not many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story...

As close to the cutting edge as you can get without needing stitches...

Digital Quality — Analogue Feel

Roland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why.

Synthesiser Module

From the ashes of the classic PPG Wave synthesisers rises the Microwave - a synth expander that combines the unique qualities of PPG's wavetables with late '80s technology. Cooking with Simon Trask.