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Search results
 Technically SpeakingFeedback | Music Technology, May 1993 |
 12-Track Recording StudioGroup: Computer MusicianSoftware Surplus |
 The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jul 1986Take It From The TopTony Mills with more up and downmarket software |
RumblingsGroup: Computer MusicianThe short circuit to the latest news on the Computer Musician scene. |
 More Fun in the Waves - Part 2Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Oct 1988Following last month's explanation of computer-generated waveforms and their uses, we look at strings of waveforms working together to build complex sounds. Tom McLaughlin investigates wavetables. |
Rock 'n' Roll and D-5Review | Micro Music, Aug/Sep 1989Could this be the ideal keyboard for computer musicians? John Renwick finds out |
 PET/MuseFeature | Topic: Computing | Polyphony, Sep/Oct 1978Interfacing Paia Synthesizers to PET Computers |
 C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
 'Wee Also Have Sound-Houses'Feature | Topic: Computing, Synthesis & Sound Design | Sound International, Jul 1978Richard Attree looks at the computer as musical instrument, and the implications thereof. |
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 Atari 600XLFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jan 1984A review for the musician |
 Going DutchFeature | Music Technology, Jan 1987Steim StudioEurope's most forward-looking centre for music technology development is alive and well and flourishing in Holland. Ron Briefel pays it a visit, and comes away suitably impressed. |
 Siel 16-track Live SequencerGroup: Computer MusicianSoftware for Commodore 64 and SpectrumHe was unimpressed by the same company's step-time MIDI package, but how does Steve Howell rate its real time equivalent? |
 MIDI FilesFeature | Topic: Computing, MIDI | Music Technology, Jan 1989The recent development of the MIDI standard is designed to enable you to transfer your sequences from one sequencer to another. Anthony Widoff files a report. |
 Affordable digital recording on the PCReview | Sound On Sound, Jun 1993Microsoft MSS PC Sound Card & Voyetra AudioView Digital Audio Editor |
 EditorialGroup: Computer MusicianThe copyright dilemma rears its ugly head once again. |
The Class SystemFeature | Topic: Education | Recording Musician, Jul 1992How Recording Musician can benefit teachers involved in the technology of music and sound recording. |
 Questionnaire Results - Part 2Group: Computer MusicianReaders' replies to the second half of our survey, analysed by David Ellis. |
 Commodore 64Feature | Topic: Computing | Electronic Soundmaker & Computer Music, Nov 1983Versatile micro reviewed |
 Siel Expander EditorGroup: Computer MusicianSoftware Surplus |
 MIDI At FrankfurtGroup: Roland Newslink |
 Datel Sound SamplerGroup: Computer MusicianHardware and Software for Sinclair SpectrumE&MM new-boy Simon Trask gets his teeth into a Spectrum-based sampling system that retails for no more than £50. |
 TechTalk - Part 1Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1985John Chowning, inventor of FM synthesis and the man indirectly responsible for Yamaha's DX synths, receives an interrogation from Simon Trask. In the event, our man scarcely gels a word in edgeways. |
 OMDAC UpdateGroup: Computer MusicianSome Spectrum software for our music control micro-peripheral project, published in E&MM June '83. Explanations by the project's designer, Jim Grant. |
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