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Dr.T's Software PageFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1988In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves. |
The Gentle Art of Transcription - Part 2Group: Computer MusicianPrinting the PartDavid Ellis concludes his survey of music-transcribing devices. Among the products featured this month are units from Fairlight, New England Digital, Con Brio and Xerox. |
Which Micro?Group: Computer MusicianThe first published survey of micros for music making. |
TechTalk - Living Off VideoInterview | Topic: Computing | Electronics & Music Maker, Apr 1986If you're a frustrated synth programmer looking for an outlet to use your talents, you could become a soundtrack writer for computer games. Matthew Vosburgh meets one of Britain's best. |
C-Lab SupertrackReview | Sound On Sound, May 1986Software for Commodore 64Mark Jenkins supercharges the studio with this latest hi-tech recording software for the inexpensive Commodore 64 micro. |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
EditorialFeature | International Musician & Recording World, Mar 1985 |
RumblingsGroup: Computer MusicianBrings news of a new British sound sampling drum machine, a digital signal processor from Eventide, and more. |
The Fairlight Explained - Part 6Group: Computer MusicianAfter a two-month absence, Jim Grant returns to the fold with some notes on CMI waveforms, lightpens and interpolation. |
The Appliance Of ScienceShow Report | Electronics & Music Maker, Dec 1985ICMC '85Ron Briefel recovers from the hi-tech overkill of Digicon to report on a more intellectual Vancouver event, the International Computer Music Conference. |
Macromusic - Part 4Group: Computer MusicianBeyond the Groove |
TrackstarReview | Electronics & Music Maker, Oct 1986Software for Commodore 64Ian Waugh examines a new starter sequencer package designed to lure Commodore 64 users into the MIDI software habit. Is it friendly enough? |
The Programmable Digital Sound Generator - Part 5Group: Computer MusicianPart 5: Sound Systems RevisitedOur series on Clef Products' synth add-on for the BBC Micro comes to a conclusion. Alan Boothman ties up the loose ends. |
The New MacintoshFeature | Topic: Computing | Music Technology, May 1987Jim Burgess sends us an exclusive preview of Apple's powerful pair of new computers - and assesses their implications for tomorrow's MIDI-using musicians. |
Lab Notes: Pink TunesFeature | Topic: Algorythmic Composition, Composing / Art, Computing | Polyphony, Jul/Aug 1978 |
Hinton Instruments' MIDICReview | Sound On Sound, Sep 1986An interesting name for a very interesting MIDI computer product from Flinton Instruments of Oxford. Jay Chapman tells you what it does and how it can be used. |
Behind The Synthesizer ExperienceFeature | Sound On Sound, Mar 1987Richard Elen talks to Dave Tuffnell, the man behind a unique electronic music information service - ESSP. |
Spectrum MIDIFeature | Topic: Computing | Electronics & Music Maker, Jul 1984A special feature for owners of the oft-neglected Sinclair Spectrum. There's an update for E&MM's original MicroMIDI interface board, plus patch dump software for two MIDI Poly-synths, the SCI SixTrak and Yamaha DX7. |
Elemental RhythmInterview | Music Technology, Feb 1991From Charlie Parker to writing his own software, jazz saxophonist and technophile Steve Coleman has a unique insight into music. Simon Trask tunes in. |
Mixdown Amiga SoftwareReview | Electronics & Music Maker, Jul 1986Software for the AmigaA British company have a comprehensive sampling package for Commodore's Amiga. Does it set a standard against which subsequent Amiga software will be judged? Chris Jenkins finds out. |
Conference BluesShow Report | Music Technology, Feb 1987ICMC ReportFresh from his exploits at Steim Studios, Ron Briefel takes a look at what last year's International Computer Music Conference had to offer in the way of new instruments, new music, and new ideas. |