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The Gentle Art of Transcription - Part 2Group: Computer MusicianPrinting the PartDavid Ellis concludes his survey of music-transcribing devices. Among the products featured this month are units from Fairlight, New England Digital, Con Brio and Xerox. |
RumblingsGroup: Computer Musician |
Back to BackGroup: Playback - Spring 86 |
The Fairlight Explained - Part 5Group: Computer MusicianMore on Kim Ryrie's CMI, the instrument that started it all, from the pen of Fairlight-user Jim Grant. |
Speaker to MeReview | Micro Music, Apr/May 1989Good music only sounds as good as the loudspeakers it s coming through. Can the NAD 8225 budget-priced speakers deliver the quality computer musicians need? |
Rumblings...Group: Computer MusicianSequential's 910 expansion software and some new product from Syntauri Corporation, amongst other things. |
Elemental RhythmInterview | Music Technology, Feb 1991From Charlie Parker to writing his own software, jazz saxophonist and technophile Steve Coleman has a unique insight into music. Simon Trask tunes in. |
Spotlight on MainframeGroup: Computer MusicianOne of the first and principal exponents of computer music interviewed. |
EditorialGroup: Computer MusicianPossible answers to the question, 'which is the best micro for music?' |
Doctors OrdersReview | Micro Music, Apr/May 1989Clive Grace reviews KCS - One of the most transported sequencer packages around. |
Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
RumblingsGroup: Computer MusicianThe short circuit to the latest news on the Computer Musician scene. |
Industry Profile - Moog MusicFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Nov 1983The latest in our Industry Profile series looks at pioneer manufacturers and designers, Moog Music Inc. |
The Fairlight Explained - Part 9Group: Computer MusicianDelving ever further into the Computer Musical Instrument from down-under, Jim Grant samples the delights of Page 9's real-time sequencer. |
RumblingsGroup: Computer MusicianThe latest buzz from the computer world |
Roland MPU401 MIDI Processing UnitReview | Electronics & Music Maker, Sep 1984and MRC real-time recorder programThe Digital Group's MIDI interface is now available in the UK and compatible with Apple and IBM PC micros. Katie Robinson checks out the unit and its associated composing software package, MRC. |
RumblingsGroup: Computer Musician |
MIDI FilesFeature | Topic: Computing, MIDI | Music Technology, Jan 1989The recent development of the MIDI standard is designed to enable you to transfer your sequences from one sequencer to another. Anthony Widoff files a report. |
Commodore 64Feature | Topic: Computing | Electronic Soundmaker & Computer Music, Nov 1983Versatile micro reviewed |
Dr in the HouseFeature | Topic: Computing | Micro Music, Jan 1990Leading light in the world of Dr T. Al Hospers talks exclusively to John Renwick about future developments in the range |
Passport MIDI/4 SoftwareGroup: Computer MusicianSoftware and InterfaceDavid Ellis casts a critical eye over Passport Designs' first foray into the wonderful world of MIDI. |
CommentEditorial | Electronics & Music Maker, May 1985Mutual AssistanceHats off to helpful manufacturers, plus E&MM new recruits. |
Instant MusicReview | Micro Music, Aug/Sep 1989Ann Owen just adds water and stirs with this jamming package for the Commodore 64 and Amiga |
BeeBMIDI - Part 7Group: Computer MusicianSoftware writer Jay Chapman introduces us to DX7ED, a patch editing program for Yamaha's FM poly, the BBC B, and E&MM's own BeeBMIDI interface. |