BBC reverb

Durham University Electronic Music Studio

MIDI Hardware and Software for RS232 Interface Standard

A MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself.

More scintillating graphics displays as our CMI series comes to Page 6. Jim Grant puts the text in between the pictures.

MIDI Hardware and Software for Apple II Micro

Last month we looked at six software packages, but not one of them was written for the Apple and its lookalikes. LEMI's MIDI system is one that is, as David Ellis discovers.

Music Mate, Mainframe's Apple sound sampler and updates for the Synergy.

Software for Apple II and Commodore 64

Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis.

Floppy disks and tape, Microsound 64, SCI Model 64

John Renwick leads us through the changing colours of this universal patch librarian - Chameleon

The first in a major series of articles describing the design, construction and applications of the Programmable Digital Sound Generator, a music hardware add-on for the BBC Model B. Introduction by Alan Boothman.

Acorn Electron scrutinised

University of Surrey Electro-Acoustic Music Studio

A look at the Surrey Sound electronic and computer music studio, scene of the Tonmeister degree course.

Jay Chapman takes a bold step for novice programmers, as he presents a Pascal program that converts musical note values into a language computers can understand. Don't worry if it leaves you standing.

An exclusive preview of the sequencing package that sets out to show the market leaders a thing or two

Building E&MM's MIDI interface for the Beeb? Jay Chapman's got some further information you should know.

Following last month's explanation of computer-generated waveforms and their uses, we look at strings of waveforms working together to build complex sounds. Tom McLaughlin investigates wavetables.

An in-depth investigation into the problems of digital filter design and their possible effects, plus a simple circuit for an ultra-powerful low-pass filter.

Jay Chapman's crusade to get E&MM readers writing their own BBC software continues, with a look at how interrupt-handling works out in practice.

Vocal music on computers?

Part three, and Jim Grant outlines the basics of sound sampling.

In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves.

Big Noise Cadenza V2 For Windows