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Turtle Power

Review | Sound On Sound, Jul 1992
Turtle Beach Multisound PC Sound Card

Dedicated PC users will welcome the introduction of this new, high-quality sound card to further enhance PC music-making possibilities. Brian Heywood investigates.

Fostex R8 - The 8-Track Take-Away

Review | Sound On Sound, Jan 1989

In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin...

J.L. Cooper MixMate

Review | Sound On Sound, Oct 1988
8-Track Automation System

When you run out of fingers and you find yourself pushing faders up and down with your nose during a mix, then it's time to get a helping hand. Master craftsman David Mellor takes on a new apprentice, the J.L Cooper MixMate.

Digital Multitrack In North Wales

Feature | Topic: Recording Studios | Sound On Sound, Mar 1990

David Mellor takes a day trip to the University College of North Wales in Bangor to visit the first studio in Britain to take delivery of an Akai DR1200 digital multitrack recorder.

Powerful Stuff

Review | Sound On Stage, Nov 1996
Yamaha EMX3500 Powered Mixer

Yards Ahead

Feature | Topic: Recording Studios | Music Technology, Nov 1986
Lillie Yard Studio

Where can you find a complete audio-video recording system, a Fairlight a separate programming suite and the biggest modular synth in the world? Matthew Vosburgh discovers heaven off the Earl's Court Road.

Simmons Portakit

Review | Music Technology, Sep 1988

Simmons' reply to Roland's popular Octapad comes complete with built-in sequencer, but is it a match for the Octapad II? Nicholas Rowland checks out the rhythm competition.

We Can't Go On... - Part 3

Feature Series | Topic: Drum Programming | Music Technology, Jun 1987
Beating Like This

...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available.

Hammond DPM-48

Review | Electronics & Music Maker, Mar 1984
Digital Percussion Machine

Ghost In The Machine

Review | Sound On Sound, Dec 1992
Soundcraft Spirit Automated Mixer

Illusions of Space

Interview | Recording Musician, Aug 1992
The Man Behind The Lexicon Sound

David Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White.

Hot Stuff

Review | Sound On Sound, Jun 1988
Toa MR-8T 8-track Cassette Recorder

If you thought eight tracks on standard cassette was an impossibility, think again. David Mellor assesses the world's first 8-track cassette recorder. Will it do to 8-track tape machines what the portastudio did to 4-tracks? Read on and find out...

Soundtracs Solo MIDI Mixing Console

Review | Recording Musician, Jul 1992

Not so much a budget console as a professional mixing desk at a surprisingly low price.

Shape Of Things To Come

News | Sound On Sound, Oct 1991

Yet another selection of recently announced new products to whet your appetite!

Upwardly mobile

Group: Control Room

Review | The Mix, Mar 1995
Spirit PowerStation

Return of the powered mixer

Fostex DCM100 & Mixtab

Review | Music Technology, Dec 1992
MIDI Mixing System

MIDI up your mix

Tascam 644 Midistudio

Review | Music Technology, Jul 1990

From the manufacturers of the first cassette multitracker comes the Midistudio: a single unit integrating MIDI into a four-track cassette recorder. Nigel Lord calls it "revolutionary".

AHB Keymix

Review | Sound On Sound, Jul 1986

Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why...

Studio Focus

Group: Computer Musician

Feature | Topic: Computing, Education, Recording Studios | Electronics & Music Maker, Dec 1983
Durham University Electronic Music Studio

Symetrix 522 Multi-Effects Unit

Review | Home & Studio Recording, Jul 1985

Fostex X18

Review | Music Technology, May 1992
Cassette Multitracker

If you're looking for a cost-effective way to add multitrack tape recording to your sequencing setup, it couldn't come much more cheaply than with Fostex' X18. Simon Trask goes back to basics with this new cassette multitrack.

Tom on Technology

Interview | Home & Studio Recording, Jul 1986
From PCMs to PZMs

Tom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason.

Allen & Heath Spectrum

Review | Sound On Sound, Mar 1991

With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out.

Retro Rocker

Review | Sound On Sound, Aug 1993
Marantz PMD740 Cassette 4-Track

Can this stylish-looking cassette multitracker find a niche in an already crowded market? Check out our review...

Inside The Synclavier - Part 1

Feature Series | Topic: Digital Audio Workstations, Vintage Instruments | Sound On Sound, Jun 1989

PART 1: New England Digital's Synclavier is the world's most expensive musical instrument, bar the odd 300 year old Stradivarius. But more than that, it can be a recording studio, a post-production system, a music engraver, a scientific research tool... and more. The Synclavier is at the leading edge of musical technology. David Mellor sets out on a voyage of discovery.

 

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