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APRS Preview 1975Show Report | International Musician & Recording World, Jun 1975 |
Return To Zero - Part 1Feature Series | Topic: Recording | Home & Studio Recording, Feb 1985A major new series, beginning this month, that helps readers take their first steps into the world of recording. First off is a comprehensive glossary of recording terms. |
The Programmable Digital Sound Generator - Part 1Group: Computer MusicianThe first in a major series of articles describing the design, construction and applications of the Programmable Digital Sound Generator, a music hardware add-on for the BBC Model B. Introduction by Alan Boothman. |
Music on-line - Part 1Feature Series | Sound On Sound, Jan 1987A Guide to Computers and Communications for the Musician.Believe it or not, your computer can do considerably more than just go wrong! The burgeoning world of telecommunications offers the musician access to international 'electronic mail' and 'bulletin board' systems, free music software, information databases, help and sound advice. Richard Elen begins a new series that explores how today's top musicians are taking advantage of such systems and tells how you can join in. |
Hard & Fast!Review | Sound On Sound, Aug 1993Akai DR4d Hard Disk RecorderOffering 4 tracks of instantaneous cut-and-paste, Akai's £1600 digital recorder looks like being a real winner. |
Space... The Final FrontierReview | Sound On Sound, Aug 1993Roland SRV330 Dimensional Space ReverbCan Roland's latest gizmo really add another dimension to your recordings? |
Compression and LimitingFeature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Studio Sound TechniquesThe lowdown on Compressor-Limiters, and how to use them. |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
Power StationReview | Sound On Sound, Jul 1993Roland JV1000 Music WorkstationDoes Roland's flagship workstation live up to its promise? |
The Guitarist's RevengeReview | Electronics & Music Maker, Jun 1984The all-but-forgotten guitar synth is due to return to music shops with a vengeance this summer, in the shape of Roland's GR700/G707 system and a breathtaking new British design, the SynthAxe. Paul White puts both instruments through their paces. |
The Dynamic DuoReview | Sound On Sound, Aug 1991Alesis 3630 Compressor/Limiter & Alesis RA100 Reference AmplifierAlesis made their name on high-quality, low-cost digital effects units, and their latest products offer the same affordable quality on two basic analogue units — a compressor and an amplifier. Dave Lockwood conducts the field test. |
FourplayFeature | One Two Testing, Jun 1984Four Track CassettesA survey of all the popular machines including TEAC, Fostex, RSD, Clarion, Yamaha and Cutec |
The Snap Shot MixReview | Sound On Sound, Mar 1987Akai MIDI MixerAkai's forthcoming MPX-820 MIDI mixer may not compare with a top-class SSL desk but its fully programmable controls and onboard memories offer the budget-conscious user some of the benefits of a 'total recall' system. Paul D. Lehrman investigates. |
You pays yer money...Group: Control RoomFostex RD8Assessing the alternative ADAT |
A Bunch Of Five...Review | Sound On Sound, Sep 1986Shure MicrophonesWe gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue. |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Tapes, Terms & FormatsFeature | Topic: Recording, Sound Fundamentals, Tape, Vinyl, CD, DAT | Recording Musician, May 1993A Basic Guide to Audio RecordingNot only do 3M produce a useful booklet explaining tape and recording so that the veriest dolt could twig it, they give it away free! Then they wonder if we'd like to serialise it... where's the catch? |
Realistic Arrangements: Vocals - Part 2Feature Series | Topic: Arranging / Songwriting | Home & Studio Recording, Mar 1989Our series continues with the voice, whether synthetic, sampled or the real thing. |
SansuiReview | Sound On Sound, Mar 199010-Track Recording PackageCombine two 6-track cassette recorders, one synchroniser and a 12:6:2 mixer, and what have you got? A rather appealing multitrack demo studio from Sansui. David Lockwood reports. |
Mix RevolutionReview | Recording Musician, Jan 1993Fostex DCM100 & Mixtab Mixing SystemMade possible by the revolution in consumer microchip design, this low-cost system automates virtually every control on the mixer, including EQ. |
Analogue Equipment Design - Part 3Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Mar 1986Ben Duncan waxes lyrical in his own immortal style. |
Allen & Heath S2Review | Sound On Sound, Sep 1991Recording MixerNot content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size. |
Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |
Electronic Percussion ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jul 1985This month’s Checklist turns its attention to the world of electronic drum kits and drum machines. Price guides will never be the same again. |