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Recording Techniques - Part 10

Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990
MIDI & Multitrack

Part 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder.

Fostex X28

Review | Sound On Sound, Dec 1991
Cassette Multitracker

Policemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28.

The Big One

Review | Sound On Sound, Jan 1990
Tascam MSR24 24-track 1" Tape Recorder

Ever since the dark ages, prophets and soothsayers have been forecasting the Big One. Well here it is - Tascam's 24-track on one inch tape recorder. David Mellor investigates.

Long-haul Flite

Group: Control Room

Review | The Mix, Aug 1994
3G Flite 8

A console for concerts

PEP Mixer Modules - Part 1

Review Series | Sound International, Mar 1979
Equipment

Brooke Siren Systems DI Box.

Review | Home & Studio Recording, Aug 1984

Tascam 644 MIDIstudio

Review | Sound On Sound, Oct 1989

David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644.

How It Works: Multitrack - Part 8

Feature Series | Topic: Recording | Sound On Sound, Mar 1988

From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it.

The Logical Choice?

Review | Sound On Sound, Oct 1993
Soundtracs Solo Logic Automated Mixing Console

A lot of bang for the bucks, and MIDI control too!

Octapad II

Review | Sound On Sound, Oct 1988
The Perfect Beat

Is this the ideal way to programme rhythm patterns into your drum machine? Paul Ireson gives Roland's updated drum-to-MIDI convertor a good bashing!

Logic with a light touch

Group: Control Room

Review Audio | The Mix, Aug 1994
Aphex 105 noise gate

More gates, fewer greenbacks

Yamaha Electronic Percussion System

Review | International Musician & Recording World, Oct 1986
Drumcheck

In the drumbooth, no-one can hear you scream... Bob Henrit discovers Yamaha's wild-styled Electronic percussion system.

Black Magic

Review | Sound On Sound, Feb 1986
Fostex Model 80 Tape Recorder

A second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic.

Roland CPE-800 Compu-Editor

Review | Electronics & Music Maker, Nov 1981

Drawmer DS201 Dual Gate

Review | Home & Studio Recording, Jul 1984

Vertical hold

Group: Control Room

Review | The Mix, Aug 1994
Spirit Folio Rac Pac

Rackable, stackable mixer

Revox C278

Review | Sound On Sound, Aug 1989
For A Few Dollars More...

What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra.

Boss SBX-10

Review | Home & Studio Recording, Jun 1986

This little brother to the SBX-80 overcomes a host of syncing problems.

Sample Shop

Review | Sound On Sound, Jun 1992

Wilf Smarties kicks off our regular look at new sample CD releases.

Everything but the Kitchen... - Part 1

Feature Series | Topic: Syncronisation | Electronics & Music Maker, Nov 1984

Having problems connecting instruments together? Our new series on syncing should solve your problems. This month, John Harris looks at syncing gear to tape.

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1983

Chris Baylis - another reader reveals the darkest secrets of his home studio set-up.

Alesis 1622 Mixer

Review | Sound On Sound, Mar 1990

Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear.

Drum Programming - Part 11

Feature Series | Topic: Drum Programming, Syncronisation | Sound On Sound, Mar 1993
A Series By Warren Cann.

Basic Multitrack - Part 1

Feature Series | Topic: Recording | Sound International, Feb 1979

Readers may suspect that Richard Dean's lapses into metaphysical metaphor result from a peyote button every five paragraphs. Yet this first article in his new series is full of useful tips beyond mere sound-on-sound.

Fostex R8

Review | Music Technology, Mar 1989
Eight-track reel-to-reel recorder

As 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance.

 

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