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Recording Techniques - Part 10Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990MIDI & MultitrackPart 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder. |
Fostex X28Review | Sound On Sound, Dec 1991Cassette MultitrackerPolicemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28. |
The Big OneReview | Sound On Sound, Jan 1990Tascam MSR24 24-track 1" Tape RecorderEver since the dark ages, prophets and soothsayers have been forecasting the Big One. Well here it is - Tascam's 24-track on one inch tape recorder. David Mellor investigates. |
Brooke Siren Systems DI Box.Review | Home & Studio Recording, Aug 1984 |
Tascam 644 MIDIstudioReview | Sound On Sound, Oct 1989David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644. |
How It Works: Multitrack - Part 8Feature Series | Topic: Recording | Sound On Sound, Mar 1988From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it. |
The Logical Choice?Review | Sound On Sound, Oct 1993Soundtracs Solo Logic Automated Mixing ConsoleA lot of bang for the bucks, and MIDI control too! |
Octapad IIReview | Sound On Sound, Oct 1988The Perfect BeatIs this the ideal way to programme rhythm patterns into your drum machine? Paul Ireson gives Roland's updated drum-to-MIDI convertor a good bashing! |
Logic with a light touchGroup: Control RoomAphex 105 noise gateMore gates, fewer greenbacks |
Yamaha Electronic Percussion SystemReview | International Musician & Recording World, Oct 1986DrumcheckIn the drumbooth, no-one can hear you scream... Bob Henrit discovers Yamaha's wild-styled Electronic percussion system. |
Black MagicReview | Sound On Sound, Feb 1986Fostex Model 80 Tape RecorderA second generation 8-track from Fostex that offers autolocate and timecode control to the budget studio. Paul Gilby opens the box to discover the secrets of the black magic. |
Roland CPE-800 Compu-EditorReview | Electronics & Music Maker, Nov 1981 |
Drawmer DS201 Dual GateReview | Home & Studio Recording, Jul 1984 |
Vertical holdGroup: Control RoomSpirit Folio Rac PacRackable, stackable mixer |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Boss SBX-10Review | Home & Studio Recording, Jun 1986This little brother to the SBX-80 overcomes a host of syncing problems. |
Sample ShopReview | Sound On Sound, Jun 1992Wilf Smarties kicks off our regular look at new sample CD releases. |
Everything but the Kitchen... - Part 1Feature Series | Topic: Syncronisation | Electronics & Music Maker, Nov 1984Having problems connecting instruments together? Our new series on syncing should solve your problems. This month, John Harris looks at syncing gear to tape. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Nov 1983Chris Baylis - another reader reveals the darkest secrets of his home studio set-up. |
Alesis 1622 MixerReview | Sound On Sound, Mar 1990Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear. |
Drum Programming - Part 11Feature Series | Topic: Drum Programming, Syncronisation | Sound On Sound, Mar 1993A Series By Warren Cann. |
Basic Multitrack - Part 1Feature Series | Topic: Recording | Sound International, Feb 1979Readers may suspect that Richard Dean's lapses into metaphysical metaphor result from a peyote button every five paragraphs. Yet this first article in his new series is full of useful tips beyond mere sound-on-sound. |
Fostex R8Review | Music Technology, Mar 1989Eight-track reel-to-reel recorderAs 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance. |