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Patrick MorazMusic Review | Electronics & Music Maker, Dec 1982Future Memories LiveWe analyse his 'Future Memories Live' LP. |
Yamaha PYD 422Review | International Musician & Recording World, Nov 1986DrumCheckYamaha release a budget kit? Bob Henrit stands back in amazement |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |
Dealer NewsNews | Topic: Retail | International Musician & Recording World, Aug 1975Who's bought what from where. |
Cats' Tales & Slick PickingInterview | International Musician & Recording World, Jan 1986Two ex-cats and an earl add more lines to the story of Rock and Roll. David Marx chronicles |
Sound Advice - Part 3Feature Series | Topic: Microphones | In Tune, Jul 1986Taking The MikeWhere to stick that mike! |
British Music Fair PreviewShow Report | International Musician & Recording World, Aug 1986It's the biggest! It's the best! It's the 1986 British Music Fair! Our man on the inside, Tony Mills tracks down the hottest gear of the year |
Alligator Ebony 200 Drum AmpReview | In Tune, Jul 1986Alligator 200 watt electro-percussion combo in the studio. |
On The Beat - Part 12Feature Series | Topic: Drum Programming | Music Technology, Jul 1990No time to lose when it comes to odd metres. Nigel Lord takes a look at "difficult" time signatures in this month's instalment of MT's rhythm programming series. |
Kurzweil K1200 & PRO 76Review | Sound On Sound, Nov 1991The Innovator ReturnsKurzweil may have invented the ROM sample player as we know it, but others seem to have reaped the benefits. Four years on from the 1000 series, the K1200 and Pro 76 keyboards, and Pro 1 module, offer improved sounds and facilities. David Etheridge dives in at the deep end. |
Sampling An AkaiReview | Home & Studio Recording, Sep 1986Akai S900 SamplerState-of-the-art sampling at a state-of-the-building society account price. |
Sweep EqualiserFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1982A variable 2 band Equaliser with an exceptional ±30dB range that will transform cymbals, remove hums, improve vocals and clean up your instruments! |
Colin ThurstonInterview | Home & Studio Recording, Feb 1985Record ProducerThe man who turned the music of Duran Duran, Kajagoogoo, Human League and Magazine into hits, discloses his hit-making formulae, recording methods and well-equipped home studio. |
NewsNews | International Musician & Recording World, Jun 1986Titanic sunk, Hindenburg lost — yes, it's the news section |
Making The Most Of Your Mirage - Part 2Feature Series | Topic: Sampling | Sound On Sound, Nov 1986Back with another fascinating instalment of hints and tips, Tony Hastings offers further guidance to those Ensoniq Mirage owners wishing to develop their sampling skills. |
Making The Most Of... - Part 12Feature Series | Topic: Mixing | Home & Studio Recording, Apr 1986StereoA brief look at the difference between true stereo and panned mono with a few mixing hints thrown in. |
GatesFeature | Topic: Effects Processing | Recording Musician, May 1993If you're swamped in hiss, then you may need this — the full SP on gates and their uses. But listen carefully: I may be asking questions. |
Roland R8 Rhythm ComposerReview | Sound On Sound, Feb 1989Paul Ireson beats a path to the door of Roland's new flagship drumbox and finds a groovy kind of love. |
Roland U110 Sample PlayerReview | Sound On Sound, Jan 1989Do you like sampled instrument sounds, but hate all of that tedious disk loading, looping and general messing about? Then you'll love Roland's new U110 sample player. Paul Ireson takes it for a spin. |