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Frankfurt Review - This Year's ModelsShow Report | International Musician & Recording World, Apr 1985A glimpse of the equipment you could well be buying in the forthcoming year |
Wot, No Keyboards? - Part 2Feature Series | Topic: MIDI, Performing, Sequencing | Sound On Sound, Oct 1993The Alternative MIDI Controllers Session |
UKInterview | Sound International, Jul 1978The Rhythm SectionHarmony in the UK - John Wetton and Bill Bruford still rhythmic after all these years. |
Wot, No Keyboards? - Part 3Feature Series | Topic: MIDI, Performing, Sequencing | Sound On Sound, Nov 1993The Alternative MIDI Controllers Session |
Frankfurt 1975Show Report | International Musician & Recording World, Mar 1975Frankfurt Fair Preview |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Andrew Jones - Sound Engineer with SkyInterview | Home & Studio Recording, Sep 1983Sound engineer with Sky chats about his work and gives advice about recording. |
Cliff RichardInterview | Electronics & Music Maker, Dec 1982With nearly 25 years in the music business, Cliff puts his music making into perspective. |
A Case for Quality MicrophonesFeature | Topic: Microphones | Sound On Sound, May 1989With the development of their Series 4000 range of studio mics, Bruel & Kjaer have earned a reputation as one of the top manufacturers of versatile, high performance microphones. In this article Ralph Dunlop, B&K's UK Sales Manager, makes a case for the use of quality microphones and outlines a useful guide for determining microphone choice and application. |
Robin Lumley - ProducerInterview | Home & Studio Recording, Sep 1984Having been out of the limelight for a while, Robin has again donned his producer's cap and set to work with new artists 3AM and Robin Clark. Here he talks of his involvement with them and his attitude to the home recording revolution. |
Mixing Essentials - Part 1Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1990Mixing in the MIDI AgeThis two-part feature covers both the art and technology of mixing. The first article on page 48, 'Mixing Essentials', covers audio mixing in general, from a more basic level, and applies to any sort of studio mixing task. The second part, 'Mixing With MIDI’, starts on page 54 and covers techniques made possible by MIDI, specifically automated mixing and sending MIDI instruments direct to your master tape. Craig Anderton is your guide. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Accurate PropheciesReview | Electronics & Music Maker, Dec 1985Prophet 2000Following October's preview, Sequential’s new sampler gets the in-depth treatment from Paul Wiffen, who refuses to return the review sample. |
Technology's ChampionInterview | Electronics & Music Maker, Jun 1986In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents. |
Yamaha SY99Review | Sound On Sound, Sep 1991Improvements and additions to the SY77 concept have produced a new instrument — the SY99. Martin Russ Looks at Yamaha's new flagship synth. |
Killer KurzweilReview | Sound On Sound, Mar 1992Kurzweil K2000Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile. |
Frankfurt Facts - Part 2Show Report Series | In Tune, Jun 1986Guitars, Amps + major keyboards survey. |
Radical RecordingFeature | Topic: Recording | Sound On Sound, May 1992You may be a whizz with the little black boxes, but how are you at recording real sounds and real performances? Wilf Smarties serves up a selection of tasty studio tricks. |
Akai/Linn MPC60 IIReview | Sound On Sound, Nov 1991Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai. |
Five Days in FrankfurtShow Report | One Two Testing, Apr 1984Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts. |
Roland D70Review | Music Technology, Aug 1990Super LA SynthesiserThe latest addition to Roland's D-series synths is its new flagship - the D70. Simon Trask puts the "Super LA" synth through its paces and discovers its new Analogue Feel facility. |
Emu Systems ProteusReview | Sound On Sound, Nov 1989The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait. |
Matinee Organ - Part 5Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Jul 1981 |