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Tape Rap

Feature | Topic: Tape, Vinyl, CD, DAT | Phaze 1, Jun 1989

the subtle differences explained

Inside the Synclavier - Part 3

Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989

PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story.

Soul Man

Interview | Music Technology, Nov 1987

Free of Culture Club, guitarist Roy Hay declares his infatuation with soul music and forms a new band. Tim Goodyer listens to his tales of "programming madness".

Sweetening the pill

Group: Sound Advice

Feature | Topic: Sampling | The Mix, Dec 1994
Sampler test

Three big names, but which one’s the best?

Sample Shop

Review | Sound On Sound, Jun 1992

Wilf Smarties kicks off our regular look at new sample CD releases.

A Room Of My Own: Workshy

Interview | Sound On Sound, Feb 1993
Chrysta Jones & Mike McDermot

Small Object Of Desire

Review | Recording Musician, Sep 1992
Mackie Designs 1202 Mixer

This compact, inexpensive mixer boasts an impressive audio specification and offers a host of applications.

E-Mu Vintage Keys

Review | Music Technology, Apr 1993
Sound Module

Take 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest

How to set up a Home Studio - Part 8

Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989
Questions & Answers

PART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics.

Gamelan a ding dong

Group: In Session

Feature Audio | Topic: Location Sound | The Mix, Nov 1994

Rugged adventures recording Balinese music

William Orbit

Interview | Sound On Sound, Oct 1991
Urban Guerilla

Paul Tingen meets William Orbit, re-mix maestro and the man behind Bass-O-Matic.

Top To Bottom

Review | Sound On Sound, Oct 1993
Behringer Multifex • Ultrafex • Bassfex • Multiband Enhancers

CP Cases Rack Conversion Kit

Review | Recording Musician, Sep 1992

Allen & Heath Saber Mixer

Review | Sound On Sound, Jun 1989

Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console.

Welcome

Editorial | Sound On Sound, Oct 1992
Right Royalty Rip-Off

Force Majeure

Interview | Music Technology, May 1989

From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music.

Phonic PMX-1600A

Review | Music Technology, May 1993
Rack Mixer

DJs know Phonic's mini-mixers well. Will the musician take to their new 16-channel, rackmounted offering? Nicholas Rowland racks his brains

Grid Reference

Interview | Sound On Sound, Nov 1992

Soul Providers

Group: In Session

Feature | The Mix, May 1995
Boogie Back studios

What the North London jazz/soul studio may lack in technology, it makes up for in good vibes

Tubular Steal

Review | Recording Musician, Apr 1993
Drawmer 1960 Dual Valve Compressor

Valves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be.

Derek B

Interview | Micro Music, Jun/Jul 1989

Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals

The Art of Propaganda

Interview | Sound On Sound, Jul 1990

Back in 1985, Propaganda made an astonishing debut with 'Dr. Mabuse' and the classic album 'A Secret Wish'. After years of silence, a split with ZTT records, and the departure of three-quarters of the original line-up, Michael Mertens is back with a new-look Propaganda, and feeds the party line to Nigel Humberstone.

Enterprise zone

Group: Sound Advice

Feature | Topic: Education | The Mix, May 1995
Newham College

An East End education boots up the digital revolution

EastWest Communications

Review | Sound On Sound, May 1991
Bob Clearmountain Sample CDs

On a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds.

Russlings

Opinion | Sound On Sound, Nov 1991

Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ.

 

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