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CanadamigaFeature | Topic: Computing, Retail | Micro Music, Feb 1990Julian Woodford takes us across the sea to bring us a report on the state of MIDI in Canada |
Non-stop trip hop be-bopGroup: Mixing It! |
Affordable digital recording on the PCReview | Sound On Sound, Jun 1993Microsoft MSS PC Sound Card & Voyetra AudioView Digital Audio Editor |
Going Live?Editorial | Music Technology, Jan 1992Live and let live, at least on stage - Tim Goodyer asks the question of where to draw the line between "live" use of technology and cheating. |
Made in Japan - Part 1Feature Series | Topic: Design, Development & Manufacture | Music Technology, Nov 1987The first of three personal views of a nation that's revolutionised the development and manufacture of hi-tech musical equipment. Hugh Ashton checks out the gear and the music. |
In Clarke's ShoesInterview | Music Technology, Aug 1992Unbitten by the digital bug, Vince Clarke only drives analogue. |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Roland MV30 Studio-MReview | Sound On Sound, Mar 1991The Studio In A Box?A studio in a box? Martin Russ looks at Roland's latest entry in the ongoing competition to fit the most functionality in the smallest box... |
Lost in TranceInterview | Music Technology, Apr 1994Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van. |
Michael BrookInterview | Sound On Sound, Jun 1992Canada DryMichael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album. |
Martin Mouths offGroup: Mixing It! |
BBE Sonic MaximizerReview | Sound On Sound, Apr 1991Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max. |
ElectronicInterview | Sound On Sound, Oct 1991Feel Every BeatAre Electronic, mutant offspring of New Order, The Smiths and the Pet Shop Boys, the first electro-supergroup? Does it matter? Mark J. Prendergast ignores the hype, sidesteps trivial speculation, and talks technical to Bernard Sumner. |
Under New OrdersInterview | Music Technology, Apr 1994More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward |
SmokeNews | Making Music, Feb 1987 |
Economy upgradeGroup: Control RoomEMU ESI-32Affordable sampling from an original thinker |
The World About Us - Part 2Feature Series | Topic: Recording Studios | Music Technology, Nov 1992The other half of the World |
Don't get mad get equalGroup: Sound AdviceEQ TutorialPerfecting your sound with a little equalisation |
Analogue Lives!Feature | Topic: Vintage Instruments | Sound On Sound, Nov 1992The Enduring Appeal Of Classic Synths |
Armadillo A616 SamplerReview | Music Technology, Jul 1990Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer. |
Patchbay StudioFeature | Topic: Recording Studios | Sound On Sound, Jan 1990Bringing A Dream To LifeThere can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality. |
Keeping The Dream AliveInterview | Sound On Sound, Nov 1990Tangerine Dream have been at the forefront of electronic music long enough to be regarded as an institution. Mark J. Prendergast talks to Paul Haslinger about the TD experience. |