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CP Cases Rack Conversion KitReview | Recording Musician, Sep 1992 |
Allen & Heath Saber MixerReview | Sound On Sound, Jun 1989Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console. |
Force MajeureInterview | Music Technology, May 1989From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music. |
Phonic PMX-1600AReview | Music Technology, May 1993Rack MixerDJs know Phonic's mini-mixers well. Will the musician take to their new 16-channel, rackmounted offering? Nicholas Rowland racks his brains |
Grid ReferenceInterview | Sound On Sound, Nov 1992 |
Soul ProvidersGroup: In SessionBoogie Back studiosWhat the North London jazz/soul studio may lack in technology, it makes up for in good vibes |
Tubular StealReview | Recording Musician, Apr 1993Drawmer 1960 Dual Valve CompressorValves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be. |
Derek BInterview | Micro Music, Jun/Jul 1989Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals |
The Art of PropagandaInterview | Sound On Sound, Jul 1990Back in 1985, Propaganda made an astonishing debut with 'Dr. Mabuse' and the classic album 'A Secret Wish'. After years of silence, a split with ZTT records, and the departure of three-quarters of the original line-up, Michael Mertens is back with a new-look Propaganda, and feeds the party line to Nigel Humberstone. |
Enterprise zoneGroup: Sound AdviceNewham CollegeAn East End education boots up the digital revolution |
EastWest CommunicationsReview | Sound On Sound, May 1991Bob Clearmountain Sample CDsOn a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds. |
RusslingsOpinion | Sound On Sound, Nov 1991Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ. |
Fast ForwardNews | The Mix, Sep 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
PC NotesFeature | Topic: Computing | Sound On Sound, Jul 1992...Brian Heywood reports on the latest PC developments... |
King For A DayInterview | Sound On Sound, May 1991Mark King, master bassist with a string of hit albums to his name as leader of Level 42, has reaped many of the rewards that pop stardom can bring — but satisfaction with the music industry is never guaranteed, as Paul Tingen discovers. |
RusslingsOpinion | Topic: Sampling | Sound On Sound, Mar 1992Sampling clichés and how to avoid them. |
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... |
Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Peter Gabriel - PassionFeature | Topic: Recording Studios | Sound On Sound, Sep 1989Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex. |