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Sounding OffOpinion | Sound On Sound, Oct 1990A Voice In The WildernessNow that we can all make make release-quality albums in our bedrooms and basements, what happens to all this music? Richard Garrett has some suggestions. |
Replicate or dieGroup: Mixing It! |
EMO E725 Phantom Power SupplyGroup: Widgets |
Documenting RealityInterview | Music Technology, Jan 1989Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride. |
PatchworkFeature | Music Technology, Jan 1992Poolside DrumsWhen the London Sample Workshop decided to sample drums with real reverb, they chose a swimming pool to do it. Tim Goodyer gets in deep with the Poolside Drums. |
Stereo SpeakersInterview | Music Technology, Apr 1993The Stereo MC's' Connected was for many the album of 1992; their live shows are currently one of the highlights of 1993. Phil Ward makes his own stereo connection and discovers just what it takes to get the balance right. |
SPL Stereo VitalizerGroup: Quality Controlpsychoacoustic equaliserSound enhancement at both ends of the spectrum - and something in the middle. |
Souper TrouperReview | Sound On Sound, Oct 1993Digital Soup Editing Software For The PCIt's very cheap and immensely powerful. Read our review to find out more... |
Artistic LicenseInterview | Music Technology, Dec 1989Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay. |
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Production Lines - Andy LonghurstOpinion | Recording Musician, Mar 1993Andy Longhurst broaches the issue of equipment compatibility. |
How It Works: The Cassette - Part 9Feature Series | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Jun 1988Do you live in peace with your cassette recorder? Or is your life full of mangled tape misery and longings for lost high frequencies? Confirmed reel-to-reelie David Mellor explains the problems that bedevil the cassette format, and offers some advice to make the medium work for you rather than against you. |
Soundcraft Spirit FolioReview | Music Technology, Apr 1993Mixing DeskQ: Just what is a Minister Without Portfolio? A: A leading member of the Government who hasn't got Soundcraft's nifty new portable mixer, that's what. Nicholas Rowland raises questions in The House |
Space RaceReview | Sound On Sound, Apr 1991Roland M480 & M240R Rackmount Line MixersThe competition to squeeze the maximum number of inputs and effects busses into the smallest possible rack space continues, as Kendall Wrightson discovers. |
Major league monitorGroup: Control RoomJBL MR825SLast month’s review re-born |
Making Your Own Video - Part 2Feature Series | Topic: Video / Film / Picture | Sound On Sound, Jan 1992Part 2: The EditLast month we looked at how you can use a domestic format like S-VHS to shoot footage good enough for use in a video demo. But getting the right footage is only half the battle as Paul Wiffen and Darrin Williamson found out. This month we follow them through the editing stage. |
Lingo StarsFeature | Topic: Live | One Two Testing, Jun 1985Foreign phrases for tour survivalhandy phrases for foreign tours |
Corea ManInterview | Music Technology, Aug 1990Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend. |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
John Jones & Duran DuranInterview | Recording Musician, Apr 1993Recording 'Ordinary World'The big names have more in common with home recording than you might think — most of this album was recorded in the guitarist's lounge! |