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It Ain't Heavy - It's My CarlsbroReview | Recording Musician, Apr 1993Carlsbro CDX 8:2 Powered MixerA lot of power, a lot of mixer and a versatile digital reverb in a very portable package. |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
RusslingsOpinion | Sound On Sound, Jan 1992Could the arrival of new storage media such as magneto-optical disks change the way we perceive music? |
Mission control - Part 1Group: Control RoomYamaha ProMix 01Groundbreaking digital mixer |
NewsGroup: News and Reviews |
Production Masterclass With Hugh PadghamInterview | Recording Musician, Oct 1992Hugh Padgham takes us behind the scenes to explain the tricks and techniques used in the recording and mixing of Phil Collins' 'In the Air Tonight'. |
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. |
Reflected gloriesGroup: Sound AdviceStudio designBuilding the perfect inner wall |
On The RecordGroup: On The RecordWhat A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |
WelcomeEditorial | Sound On Sound, Jan 1987 |
Silver 5L Nearfield Monitors & BH Sub-woofersGroup: Widgets |
On The GridInterview | Music Technology, Apr 1990When Soft Cell disbanded, Marc Almond quickly established himself as a solo artist, but what became of his keyboard-playing partner? David Bradwell talks to David Ball about his latest project. |
Tape ManipulationFeature | Topic: Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1989David Mellor unlocks the creative power of the reel-to-reel tape recorder. |
Laboratoire GarnierGroup: Mixing It! |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Jul 1992...and Phil South has a hard time with his Amiga. |
Alice Soundtech MatchpakGroup: WidgetsPro-to-IHF/IHF-to-Pro Interface |
Jammie dodgersGroup: In SessionMint Jam StudiosA new breed of studio is emerging, ignoring the major record companies and putting their own product out there... Mint Jam is one of them |
News Of The WorldInterview | Music Technology, Jul 1992Ryuichi Sakamoto was a founder of the YMO before becoming one of David Sylvian's favoured partners. Now, fresh from a Japanese and a series of film scores he tells Tim Goodyer about his latest LP. |
Multitrack Mixers - Part 3Feature Series | Topic: Mixing | Recording Musician, Apr 1993The Master SectionThis month we scrutinise the master section of a typical multitrack mixing console and ponder the meaning of PFL, talkback and that small grey button that goes "neep neep". |
Making Your Own Video - Part 1Feature Series | Topic: Video / Film / Picture | Sound On Sound, Dec 1991Part 1: The ShootWe all know how modern cost-effective musical instruments and recording equipment allow professional standard tapes to be produced at home. But does the similar trend in video gear mean that the average musician can now shoot his own promo? Paul Wiffen and Darrin Williamson thought so. This is their story. |
London music showShow Report | The Mix, Jan 1995 |
Sampling Confidential - Lateral Thinking - Part 3Feature Series | Topic: Sampling | Music Technology, Jun 1993Concluding our sideways look at the art and soul of sampling, Dom Foulsham covers N to Z in his alphabet of tips |