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Group: In Session

Feature | Topic: Live | The Mix, Aug 1994
Glastonbury sound

PA secrets behind one of Britain’s biggest festivals

Opcode Audioshop

Review | Sound On Sound, Jan 1993
Mac Audio Utility

French Lessons

Interview | Music Technology, Sep 1987

The co-producer of Level 42's last two records has also lent his keyboard playing skills to the likes of Grace Jones, Robert Palmer, Mick Jagger and Talking Heads. He discusses his roles as programmer, synth player and producer with Paul Tingen.

Miami Nice Guy

Interview | Sound On Sound, Jan 1988

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.

Moby trick

Group: Mixing It!

News | The Mix, Oct 1994

Before You Start Making That Demo Tape

Feature | Topic: Recording | Phaze 1, Nov 1988
Demo Tape Discipline

the power behind the button

Starship Trooper

Interview | Music Technology, Mar 1991

Back in the '60s it was Jefferson Airplane, then it was Jefferson Starship, then it was simply Starship. Brad Leigh Benjamin compares notes with the Synclavier king of one of rock's institutions.

Brian Eno

Interview | Sound On Sound, Oct 1990
Breaking The Silence

Brian Eno, is undoubtedly one of the most influential figures in electronic music, yet his creative energies have recently been directed into other people's music. Now, with the release of one solo and one collaborative album approaching, he gives a rare interview to Mark Prendergast.

Tascam 488

Review | Sound On Sound, Mar 1991

Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio.

Grief

Feedback | Music Technology, Mar 1994

A 2-page Paracetamol for your technical headaches.

DIY

Interview | Sound On Sound, Jun 1992
Steve Jansen & Richard Barbieri

Following a brief diversion in the form of last year's Rain Tree Crow project, Steve Jansen and Richard Barbieri are once more pursuing their creative partnership. Paul Ireson reports on the recording of their latest album.

Have guitar, will travel

Group: Mixing it!

Feature Audio | The Mix, Apr 1995

Pacific

Group: ChitChat

Interview | Phaze 1, Apr 1989

Mass Reaction

Group: ChitChat

Interview | Phaze 1, Jun 1989

Music In Our Schools

Feature | Topic: Education | Recording Musician, Aug 1992
Educating Teachers

Chris Gander, a teacher and a home recording enthusiast, examines the way technology is influencing music education.

News

News | Micro Music, Mar 1990

We take a look at all the latest happenings in the world of Micro Music

Small But Perfectly Formed

Review | Sound On Sound, Feb 1993
Soundcraft Spirit Folio

Sample Shop

Review | Sound On Sound, Sep 1993

Wilf Smarties gives a new batch of CDs a spin.

This article has no OCR bodytext.Newsdesk

News | Music Technology, Jun 1991

... new Aiwa pro DAT machine... new Digitech voice processor... stolen gear alert... bargain Yamaha MT2X multitrack MIDI controllers... Roland MV30 memory update. .. more in Newsdesk...

Crystal Voyager

Editorial | Music Technology, Dec 1989

As musical equipment evolves, so does the music that is made with it. But what of the musicians - how is their evolution determined by a microchip?

Macworld '89

Show Report | Music Technology, Feb 1990

The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments.

This article has no OCR bodytext.Newsdesk

News | Music Technology, Sep 1991

If there was ever to be an International Jean-Michel Jarre Day, it would be big news. So would a really good book on DAT. And the launch of some very serious equipment leads...

Off The Record

Editorial | Music Technology, Oct 1988

When is a record not a record? Tim Goodyer discusses the effects of the media upon which music is recorded on the music itself.

 

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