Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Ten City

Review | Sound On Sound, Jan 1993
Ensoniq ASR10 Stereo Sampling Keyboard

SADiE

Review | Sound On Sound, Jun 1993
PC Hard Disk Recording System

It's British designed and built, but is it the best?

Shape of Things to Come

News | Sound On Sound, May 1989

News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it.

Doppelganger

Review | Sound On Sound, Dec 1989
Emu Systems Emax II

What do you get if you cross an Emax with a Proteus? An Emaximus perhaps, or maybe even a Protemax? Kendall Wrightson test drives Emu's new 16-bit sampler to find out.

Scanners

News | Music Technology, May 1994

The month - this month

Shape Of Things To Come

News | Sound On Sound, Nov 1991

Yet another selection of recently announced new products to whet your appetite!

Akai S1100

Review | Music Technology, May 1991
Digital Stereo Sampler

Having set the music industry standard in sampling with their S1000, Akai are now taking moving pictures into their stride. Simon Trask gets frame-accurate on the S1100.

Inside TEAC Japan

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Nov 1990

Ian Gilby pays a visit to TEAC headquarters in Tokyo, gets blown away by Dolby S noise reduction, and learns some little-known facts about a company destined to play a continued part in the development of recording technology.

Convention Invention

Show Report | Music Technology, Feb 1989
AES Convention 1988

Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking.

Re:Mix

Index Audio | The Mix, Jul 1994
On this month’s re:mix mixed-mode CD...

This month's CD deconstructed

Taking Control

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1993
Using MIDI Continuous Controllers

Shape Of Things To Come

News | Sound On Sound, Jun 1991

Yet another selection of recently announced new products to whet your appetite!

Shape Of Things To Come

News | Sound On Sound, Oct 1990

This month's colourful round up of new products to tempt and tantalise.

Nuclear Vision

Group: Control Room

Review | The Mix, Dec 1994
Opcode Studio Vision

Integrated sequencing/d-t-d recording

dB or not dB

Feature | Topic: Sound Fundamentals | Home & Studio Recording, Jan 1986
— Dat is de Question

Paul White does his level best to unscrew the inscrutable.

Yamaha CBX-D5 Digital Recorder

Review | Sound On Sound, Nov 1992
First Take

Steinberg Topaz

Review | Music Technology, Feb 1990
Computer Controlled Recorder

One of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio.

Composer's Desktop Project

Review | Sound On Sound, Feb 1990

The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system.

Hard & Fast!

Review | Sound On Sound, Aug 1993
Akai DR4d Hard Disk Recorder

Offering 4 tracks of instantaneous cut-and-paste, Akai's £1600 digital recorder looks like being a real winner.

Roland S770 Sampler

Review | Sound On Sound, Jul 1990

Roland's flagship sampling module boasts an impressive specification, and its page-based screens are oddly reminiscent of the famous Fairlight. Kendall Wrightson finds out how impressive it is in the flesh.

Recording Techniques - Part 17

Feature Series | Topic: Mixing, Recording | Sound On Sound, Apr 1991
The Mix (3)

Part 17: The mix (3). There's so much to know about mixing and most of it can only be learned by experience. But a little knowledge can go a long way. David Mellor offers even more insights.

Philips DCC900

Review | Sound On Sound, Oct 1992
Digital Compact Cassette Recorder

Philips hope that their new cassette-based DCC format will succeed where DAT failed — becoming the new consumer digital recording medium. Derek Johnson evaluates the world's first first DCC recorder.

Marantz CDR1 CD Recorder

Review | Music Technology, Apr 1992
Compact Disc Recorder

Recording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser.

A Fair Showing

Show Report | Music Technology, Sep 1988
BMF Report

This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.

Plasmec Systems ADAS

Review | Music Technology, Nov 1991
Hard Disk Recording System

Direct-to-disk digital recording comes of age on the Atari ST computer. Vic Lennard checks out the system which may change your life.

 

muzines_logo_02

Small Print

Terms of usePrivacy