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Turtle PowerReview | Sound On Sound, Jul 1992Turtle Beach Multisound PC Sound CardDedicated PC users will welcome the introduction of this new, high-quality sound card to further enhance PC music-making possibilities. Brian Heywood investigates. |
Criminal Record? - Part 2Feature Series | Music Technology, Apr 1992The second part of MT's in-depth examination of the sample CD phenomenon. Simon Harris, Norman Cook, Coldcut, Ed Stratton and Pascal Gabriel confess all to Tim Goodyer. |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
Armadillo A616 SamplerReview | Sound On Sound, Apr 1990The Acorn Archimedes has not yet proved to be a popular computer amongst musicians, mainly because of the lack of useful software. Paul Ireson takes a look at a significant development in the world of Archimedes music: the Armadillo A616 stereo 16-bit sampler. |
Shape Of Things To ComeNews | Sound On Sound, Jan 1991Our regular round-up of whats new in the world of hi-tech music and recording. |
MIDI Futures at the BBCFeature | Topic: Recording Studios, Video / Film / Picture | Sound On Sound, Feb 1989The unique demands on the BBC Radiophonic Workshop have placed it in the forefront of developments in high technology music. Their latest development- a new style of MIDI suite - is an innovation not only in terms of the technology that's employed, but also in the geography’ of the working environment. Richard Elen takes an exclusive first look at the new studio. |
NewsNews | Micro Music, Oct/Nov 1989Exclusive news from UK Electronica, plus all the latest in the world of MIDI music |
Music On The MoveFeature | Sound On Sound, May 1992Hi-Tech You Can Take AnywhereForget towels, deodorant and trashy paperbacks, what you really want to pack in your suitcase come the Summer is a go-anywhere MIDI studio. Paul Ireson advises on suitable travelling companions. |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
Akai S1000Review | Music Technology, Dec 1988Digital SamplerFollowing in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits. |
Kurzweil SMP-RReview | Music Technology, Jul 1993Sampling upgrade for the K2000Now you can upgrade Kurzweil’s market-leading synthesiser, the K2000, with a sampling interface. According to Simon Trask - and who are we to argue? - you can mingle your own samples with the synth’s onboard sounds, and edit the whole lot to your heart’s content in up to 64Mb of RAM. Whistle Kurzweil while you work, indeed. |
Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
Akai S1100EXReview | Sound On Sound, Sep 1992S1100 Expansion UnitIf a single S1100 isn't enough for you, Akai's S11OOEX offers an easy way to expand your sampling power. David Mellor meets an ideal partner for his main studio sampler. |
Shape of Things to ComeNews | Sound On Sound, Jan 1990A plethora of new hi-tech products to whet your appetite. |
Fast ForwardNews | The Mix, Dec 1994No hype, no waffle - just tomorrow's products todayA peek at what’s new |
Akai S950Review | Home & Studio Recording, Mar 1989The successor to Akai's industry standard S900 hits the streets. |
Frankfurt ReportShow Report | Micro Music, Apr/May 1989The most comprehensive review of Europes biggest Music Fair |
Wally BadarouInterview | Sound On Sound, Dec 1990Creating The FutureAnyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in. |
PC NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
Recording Techniques - Part 13Feature Series | Topic: Location Sound, Recording | Sound On Sound, Dec 1990Location RecordingPart 13: Location recording. David Mellor bundles his recording gear into the boot of a car and drives off into the unknown. |
All Systems GoInterview | Music Technology, Oct 1991If you can't imagine how Steve Hillage, Derrick May and The Orb would sound making music together, you can buy their forthcoming LP and find out. Simon Trask talks to the man behind the guitar and the project. |
A Profusion Of DreamsShow Report | Music Technology, May 1990FRANKFURT REPORTTrade shows often make the best stage for unveiling new equipment - did this year's Frankfurt show witness any revolutions? Simon Trask brings the news from Germany. |