Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Machine Head

Interview | Music Technology, Jul 1991

The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop.

Hands On: Sound Tools

Feature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Nov 1991

Ever wondered what its like to use Digidesign Sound Tools? David Mellor takes the driving seat of the world's favourite hard disk recording/editing system.

Made in Japan - Part 3

Feature Series | Topic: Design, Development & Manufacture | Music Technology, Jan 1988
Eastern Intrigue

A last visit to the land of micro-chips and rice crackers. Simon Trask pays an enquiring visit to the Yamaha organisation before waving a fond farewell to the rising sun.

Front Line

Interview | Music Technology, Jun 1989

Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front.

NAMM Report

Show Report | Micro Music, Aug/Sep 1989

Intrepid reporter Paul Wiffen jets over to Chicago for an exclusive peek at the latest goodies from the States

Sampling Natural Sounds

Feature | Topic: Location Sound, Recording, Sampling | Sound On Sound, Apr 1990

As a humble home studio hopeful who has never pointed a mic in earnest at anything outdoors before, James Walters goes in search of the basic equipment.

The Sensual World of Kate Bush

Interview | Sound On Sound, Apr 1990

Recording engineer Del Palmer has worked with Kate Bush for almost 13 years. Here he provides an insight into how this innovative lady works in the studio and the background to the recording of her hugely successful album, 'The Sensual World'.

Fantazia

Feature | Topic: Live | Music Technology, Feb 1994

Legal raves demand state-of-the-art audio-visual technology, and Fantazia are the experts. Dave Arcari reports from the dance floor

Tapes, Terms & Formats

Feature | Topic: Recording, Sound Fundamentals, Tape, Vinyl, CD, DAT | Recording Musician, May 1993
A Basic Guide to Audio Recording

Not only do 3M produce a useful booklet explaining tape and recording so that the veriest dolt could twig it, they give it away free! Then they wonder if we'd like to serialise it... where's the catch?

Studiomaster Pro Line Gold

Review | Music Technology, Jan 1991
Mixing Desk

If you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has...

Non-Stop Electronic Cabaret

Interview | Music Technology, Jun 1992

Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar.

AES New York

Show Report | Sound On Sound, Jan 1988

New York was the setting for the 83rd Convention of the Audio Engineering Society, where audio manufacturers gathered to show off their new wares. Craig Anderton provides a rundown of the main highlights.

Armadillo

Review | Micro Music, Feb 1990

Baz Watts looks into the Armadillo sampler for the Arc

Digitech TSR24

Review | Sound On Sound, Dec 1993
True Stereo Reverb & Effects Processor

Baptism of fire

Group: In Session

Feature | Topic: Education | The Mix, Jun 1995
Alchemea

A visit to one of the leading recording colleges

Tokyo Music & Sound Expo

Show Report | Sound On Sound, Nov 1989

The Tokyo Expo is normally a fairly low-key domestic affair, but this year several major new products were unveiled for the first time ever. Our man in Japan, Paul Wiffen, was there to report on some of the hi-tech instruments that will be vying for your money in the coming year; including Yamaha's new mega-synth, the SY77

4T/FX and d2d Edit

Group: Quality Control

Review | Music Technology, Aug 1993
Software for the Atari Falcon

From D2D2U - tapeless recording on the Falcon

Khemistry klass

Group: In Session

Interview | The Mix, Aug 1994

Wrexham's master remixers spill the beans

Earth beats

Group: In Session

Feature Audio | The Mix, Apr 1995
Jungle

We profile three of the hottest production teams in jungle

Akai S950 Digital Sampler

Review | Music Technology, Jan 1989

As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress.

Every Little Bit

Feature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987

Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good.

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Akai DR4d

Group: Quality Control

Review | Music Technology, Oct 1993
hard disk recorder

Direct-to-disk recording from the sample stable

The World About Us - Part 1

Feature Series | Topic: Recording Studios | Music Technology, Oct 1992
Real World

Real World music

Perfect Partners

Review | Sound On Sound, Nov 1990
Akai S1000KB Sampler with DAC R4000 Syquest Drive

The S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has!

 

muzines_logo_02

Small Print

Terms of usePrivacy