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Falling into line...Group: Control RoomTascam M2600Cosmopolitan eight-buss console |
Back To BachFeature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992The Making of an AlbumWhen Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album. |
Theme And VariationsShow Report | Music Technology, Mar 1989Frankfurt Musikmesse 1989Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse. |
Studio Audio SADiEReview | Music Technology, Jan 1993Hard Disk Recording SystemThe £5000 add-on for your PC |
Sampling Confidential - Lateral Thinking - Part 2Feature Series | Topic: Sampling | Music Technology, May 1993Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny |
Casio FZ20MReview | Music Technology, Mar 1990Digital SamplerWith two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers. |
Tascam 688 MidistudioReview | Music Technology, Nov 1990Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century. |
Card TricksFeature | Topic: Computing | Sound On Sound, Mar 1992Music On The PCPanicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC. |
Concert Touring NewsGroup: Access All Areas |
Digital RemasteringFeature | Topic: Restoration / Archival | Music Technology, Jul 1992Most of us have bought CDs bearing the label "digitally remastered", but how many of us appreciate what's happened to the music in the process. Tom Doyle exposes the power behind the remastering button. |
Rack & RollInterview | Music Technology, Dec 1993One band's mission to save rock and roll - with technology. On the spot: Phil Ward |
Dream sequences - Part 2Group: Sound AdviceMore sequencing tips |
Trading PlacesShow Report | Music Technology, Apr 1988Frankfurt Musik Messe 1988It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet. |
Action DirectInterview | Music Technology, Aug 1988Whatever happened to Thomas Leer? What's become of Propaganda? If you've heard of a band called Act you already know the answers to these questions, if not, David Bradwell is right on cue with this interview. |
GriefFeedback | Music Technology, Feb 1994If we can't solve your problem then... er, perhaps someone else can - sorry, this isn't a very good sell-line... sorry |
The perfect mixGroup: In SessionHow our seminars rocked London’s APRS Exhibition |
Selected ambient wordsGroup: Mixing It! |
Earth beatsGroup: In SessionJungleWe profile three of the hottest production teams in jungle |
Akai S950 Digital SamplerReview | Music Technology, Jan 1989As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress. |
Every Little BitFeature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good. |
Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
Akai DR4dGroup: Quality Controlhard disk recorderDirect-to-disk recording from the sample stable |
The Cocteau TwinsInterview | Sound On Sound, Jul 1989A voice, a few guitars, a bit of processing, and a hell of a lot of inspiration. Mark J. Prendergast investigates... |
Beats WorkingInterview | Music Technology, Jul 1991Pioneer of the sampling revolution, Tim Simenon, is back with a new album, a new studio and a refreshing update on what technology has to offer music. Tim Goodyer charts Unknown Territory. |