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Search results

Falling into line...

Group: Control Room

Review | The Mix, Jul 1994
Tascam M2600

Cosmopolitan eight-buss console

Back To Bach

Feature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992
The Making of an Album

When Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album.

Theme And Variations

Show Report | Music Technology, Mar 1989
Frankfurt Musikmesse 1989

Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse.

Studio Audio SADiE

Review | Music Technology, Jan 1993
Hard Disk Recording System

The £5000 add-on for your PC

Sampling Confidential - Lateral Thinking - Part 2

Feature Series | Topic: Sampling | Music Technology, May 1993

Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny

Casio FZ20M

Review | Music Technology, Mar 1990
Digital Sampler

With two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers.

Tascam 688 Midistudio

Review | Music Technology, Nov 1990

Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century.

Card Tricks

Feature | Topic: Computing | Sound On Sound, Mar 1992
Music On The PC

Panicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC.

Concert Touring News

Group: Access All Areas

News | Sound On Stage, Nov 1996

Digital Remastering

Feature | Topic: Restoration / Archival | Music Technology, Jul 1992

Most of us have bought CDs bearing the label "digitally remastered", but how many of us appreciate what's happened to the music in the process. Tom Doyle exposes the power behind the remastering button.

Rack & Roll

Interview | Music Technology, Dec 1993

One band's mission to save rock and roll - with technology. On the spot: Phil Ward

Dream sequences - Part 2

Group: Sound Advice

Feature Series Audio | Topic: Drum Programming, Sequencing | The Mix, Jan 1995

More sequencing tips

Trading Places

Show Report | Music Technology, Apr 1988
Frankfurt Musik Messe 1988

It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet.

The Orb

Interview | Sound On Sound, May 1993
It Came From Outer Space

Action Direct

Interview | Music Technology, Aug 1988

Whatever happened to Thomas Leer? What's become of Propaganda? If you've heard of a band called Act you already know the answers to these questions, if not, David Bradwell is right on cue with this interview.

Grief

Feedback | Music Technology, Feb 1994

If we can't solve your problem then... er, perhaps someone else can - sorry, this isn't a very good sell-line... sorry

The perfect mix

Group: In Session

Feature | Topic: Mixing | The Mix, Aug 1994

How our seminars rocked London’s APRS Exhibition

Selected ambient words

Group: Mixing It!

Interview Audio | The Mix, Sep 1994

Earth beats

Group: In Session

Feature Audio | The Mix, Apr 1995
Jungle

We profile three of the hottest production teams in jungle

Akai S950 Digital Sampler

Review | Music Technology, Jan 1989

As musicians demand ever more from their samplers, Akai replace the studio-standard S900 with an enhanced machine. Vic Lennard samples the march of progress.

Every Little Bit

Feature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987

Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good.

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Akai DR4d

Group: Quality Control

Review | Music Technology, Oct 1993
hard disk recorder

Direct-to-disk recording from the sample stable

The Cocteau Twins

Interview | Sound On Sound, Jul 1989

A voice, a few guitars, a bit of processing, and a hell of a lot of inspiration. Mark J. Prendergast investigates...

Beats Working

Interview | Music Technology, Jul 1991

Pioneer of the sampling revolution, Tim Simenon, is back with a new album, a new studio and a refreshing update on what technology has to offer music. Tim Goodyer charts Unknown Territory.

 

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