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DIYInterview | Sound On Sound, Jun 1992Steve Jansen & Richard BarbieriFollowing a brief diversion in the form of last year's Rain Tree Crow project, Steve Jansen and Richard Barbieri are once more pursuing their creative partnership. Paul Ireson reports on the recording of their latest album. |
Playing the BluesInterview | Music Technology, Jul 1988Pop hopefuls or Stock, Aitken and Waterman puppets? The men in Blue give David "newboy" Bradwell the inside story on the SAW production stable. |
NewsNews | International Musician & Recording World, Jun 1985Tomorrow's news today — the IM tardis is off again |
Studio Sound Techniques - Part 4Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Electronics & Music Maker, Feb 1983Even more about Mixing ConsolesMore about Mixing Consoles |
HometapingGroup: Recording WorldPatrick WilsonA commercial outlook and a complex setup. We invade Patrick Wilson's home studio |
E-Mu Emax SamplerReview | Music Technology, Jan 1987Polyphonic Sampling KeyboardAn exclusive, in-depth report on the machine that promises to bring Emulator quality to the masses. Paul Wiffen, Emulator fan, finds out if the promises are fulfilled. |
Hammer Strikes Out!Interview | Electronics & Music Maker, Feb 1986In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note. |
The New Tangerine DreamInterview Audio | Electronics & Music Maker, Jan 1982An interview with Edgar Froese and Christoph Franke during their recent UK tourAn interview with Edgar Froese and Christoph Franke, concert report and music pull-out "Choronzon" from the 'Exit' LP. |
Soul ProvidersGroup: In SessionBoogie Back studiosWhat the North London jazz/soul studio may lack in technology, it makes up for in good vibes |
The Porta Two has LandedReview | Sound On Sound, Dec 1986Tascam Porta TwoGareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it. |
Studio FocusFeature | Topic: Recording Studios | Electronics & Music Maker, Jul 1983PyramidPyramid 8-track studio |
Expand AbilityReview | Electronics & Music Maker, Jul 1985Two manufacturers follow their already established polysynths with keyboardless voice expanders. Trish McGrath puts the Chase Bit 01 and Siel Expander 80 through their paces. |
This Is Gordon SumnerInterview | International Musician & Recording World, Jul 1985The high priest of Pop discusses his solo album, musicianship, songwriting and The Police. |
A Sense Of ScaleInterview | Music Technology, Dec 1987An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age. |
Inside the Synclavier - Part 3Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story. |
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. |
Korg DSS-1Review | International Musician & Recording World, Nov 1986SynthcheckPaul Fishman checks out Korg's pro sampling keyboard |
Frankfurt Fair PreviewShow Report | International Musician & Recording World, Mar 1985A sneak look at what you could well be buying in the forthcoming financial year |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
Steinberg CubaseReview | Sound On Sound, Aug 1989The new heir to the ST sequencer throne?After a change of name and a long wait, Steinberg's successor to Pro24 is finally here. Has it been worth the wait? David Hughes thinks so... |
U2Interview | One Two Testing, Jan 1985can have an Edge like thisThe Edge describes sounds and styles |
Heaven 17Interview | Electronic Soundmaker & Computer Music, Nov 1983Crushed by the wheels of technology? |
Cutec Graphic & Vesta Comp/LimiterReview | In Tune, Jun 1985 |