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How to set up a Home Studio - Part 8Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989Questions & AnswersPART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics. |
Akai S900 RevisitedReview | Sound On Sound, Oct 1987S900 owner David Mellor receives a package in the post from Akai, which rekindles his enthusiasm in the sampler which was one of the first to combine a wealth of facilities with a reasonable price. Will the Version 2.0 software update bring the Akai into line with the latest samplers on the market or has it become old technology - just after its first birthday? |
Shredder Goes To FrankfurtShow Report | One Two Testing, Apr 1985unbeatable coverage of all the new gear at the year's most important instrument show. Don't buy ANYTHING until you've read it. |
Richard PinhasInterview | Electronics & Music Maker, Sep 1982The Man and his MusicWe feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition. |
The British Music AffairGroup: British Music Fair Supplement |
The Perfect BeatReview | Electronic Soundmaker & Computer Music, Jul 1985Simmons SDS9 electronic drum kitSimmon's new drum kit |
Nik Kershaw: Recording SecretsInterview | Sound On Sound, Jan 1986As well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting. |
Nik PickingInterview | International Musician & Recording World, Mar 1986Golden boy of the teeny bop scene a closet guitar hero? It's true, all true. Muso musings captured for posterity by Dave Burrluck and Susan Rookledge. |
A Vocal Chord - Part 1Feature Series | Topic: Sampling | Music Technology, May 1988As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard. |
HiFi Sound - A New Video Standard?Feature | Topic: Video / Film / Picture | Home & Studio Recording, Feb 1985At last! A new system that gives you hi-fidelity sound from a standard video recorder. Could it become the stereo reel-to-reel machine of the future? Judge for yourself. |
The School of Audio EngineeringFeature | Topic: Education | Home & Studio Recording, Dec 1985An inside look at one of the most popular recording courses both in this country and abroad. |
The NewsShow Report | Making Music, Sep 1986"...comes back from Hammersmith."What we saw at the big fair, including famous gear and famous people. |
BBC - Careers In SoundFeature | Topic: Education | Home & Studio Recording, Apr 1985What goes on behind the hallowed portals of Bush House and the BBC's radio training department? Read this and find out... |
UB40 In the StudioInterview | Home & Studio Recording, May 1984This successful Reggae band discuss the recording of 'Labour Of Love' and their new studio. |
Drum DragnetFeature | Electronic Soundmaker & Computer Music, Dec 1984Mammoth Electro Fest: Simmons' contender, the UP5, Yamaha's RX15 drum machine, new Digisound chips for the Drumulator, Quicksilva's Drumkit program for the BBC micro... |
Psychotronic LandscapesInterview | Sound On Sound, Jun 1993Michel Huygen/NeuroniumThis Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes. |
The MechanicInterview | Music Technology, Jul 1990In engineering and production - as in musicianship - flexibility and adaptability are precious qualities. Martin Rex has covered artists as varied as Neneh Cherry, Fela Kuti and Michael Nyman - Ollie Crooke listens. |
Danse ElectroniqueInterview | Electronics & Music Maker, Jan 1984One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique. |
Frankfurt Review - This Year's ModelsShow Report | International Musician & Recording World, Apr 1985A glimpse of the equipment you could well be buying in the forthcoming year |
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. |
Voyetra Sequencer PlusReview | Sound On Sound, Mar 1991Version 4Brian Heywood evaluates the latest update to Voyetra's powerful PC-based sequencing program. |