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Roland DEP-3

Review | Home & Studio Recording, May 1987
Digital Effects Processor

Reverb and delay from Roland in the guise of the DEP-3, a scaled down version of the popular DEP-5.

ART DR1 digital reverb

Review | Sound On Sound, Feb 1987

Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.

Sony DPS-R7 Digital Reverberator

Review | Sound On Sound, Dec 1991
A New Reverb Standard

Hot on the heels of their impressive DPS-D7 digital delay comes the latest single effects unit from Sony. As the DPS-R7 reverberates, David Mellor adjudicates.

Ibanez DUE400 Digital Multi-Effects

Review | Home & Studio Recording, Aug 1985

John Harris subjects this Japanese rack to the English inquisition.

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

Digital Aids The Video Stars

Feature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982

Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why.

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Korg DRV3000

Review | Sound On Sound, Sep 1987
Digital Reverb

Following on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports.

Roland E660

Review | Music Technology, Oct 1988
Digital Parametric Equaliser

The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.

Digital Mixing Magic

Feature | Topic: Mixing, Sampling | Sound On Sound, Aug 1990
With Sampling Keyboards

Vocal line out of tune? Lead guitarist fluffed his solo again? Craig Anderton reveals some ways of using a sampler to fix these, and other problems, in the mix.

Sony DPS-M7

Review | Sound On Sound, May 1992
Digital Sonic Modulator

Following hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units.

Digital Signal Processing - Part 1

Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Jul 1983

The first of an innovative new series on musical applications of your home micro

Digital Multitrack In North Wales

Feature | Topic: Recording Studios | Sound On Sound, Mar 1990

David Mellor takes a day trip to the University College of North Wales in Bangor to visit the first studio in Britain to take delivery of an Akai DR1200 digital multitrack recorder.

Digital Music Corporation MX8

Review | Music Technology, Sep 1988
MIDI Patchbay Processor

From America: a 1U-high black box which combines MIDI patching, merging and processing capabilities. Vic Lennard encounters a new twist in MIDI processing.

Digital diplomat

Group: Control Room

Review | The Mix, May 1995
Passport Alchemy 3

Peace-broking sampling software

E-Mu Systems EMAX

Review | Sound On Sound, Jan 1987
Digital sampling keyboard

Much rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out.

New Addition

Review | Sound On Sound, Oct 1986
Dynacord ADD-One Advanced Digital Drum System

As it stands, the ADD-One is a new 8-channel sampled sound expander designed to be triggered from Dynacord's own drum pads. But user-sampling and disk storage promise to extend its range of applications in the near future. Chris Everard reports.

Ensoniq EPS16 Plus

Review | Music Technology, Feb 1991
Digital Sampling Workstation

After a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples.

Vox Populi

Review | Electronic Soundmaker & Computer Music, Sep 1985
Microvox Mimic Digital Sound Editor

High-spec sampler for the CBM 64

Jam Today!

Review | Sound On Sound, Dec 1993
Lexicon Jam Man Digital Echo • Sampler • Loop Recorder

Hot from AES New York, we test this tasty loop recorder/sampler.

The Digital Muse Prodigy

Review | Music Technology, Apr 1990
Software for the Atari ST

Son of TDM's Virtuoso ST sequencing software, the budget Prodigy retains many of its parent's best features. Ian Waugh checks out the fastest little sequencer in the west.

SDE-2500. The memories linger on

Group: Roland Newslink

Feature | Topic: Advertisement Feature | International Musician & Recording World, Jun 1985

Roland at Frankfurt

Group: Roland Newslink

Feature | Topic: Advertisement Feature | International Musician & Recording World, Mar 1985

AES SX303 Sampler Kit

Review | Electronic Soundmaker & Computer Music, Jun 1985

A modification that turns your digital delay into a sampler.

Powertran MCS1 - Part 2

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Nov 1984
The Circuit

The four circuit diagrams that lie at the heart of our MIDI Controlled Sampler project, with a full description to follow next month.

 

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