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The Italian JobGroup: In SessionRapino BrothersKylie and Take That’s remixers talk technique |
Frankfurt: Computers And Drum MachinesShow Report | International Musician & Recording World, Apr 1986Tony Reed plans out his shopping list for the coming year |
Hi-FiFeature | Electronics & Music Maker, Nov 1981 |
The Science of MomentsInterview | One Two Testing, Mar 1984Flattening the earth, contextualising the computer. |
ToolBoxNews Audio | The Mix, Sep 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
Five Days in FrankfurtShow Report | One Two Testing, Apr 1984Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
Blowing Technology's HornInterview | Sound On Sound, Nov 1988Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers. |
Stronger Than The RestFeature | Topic: Recording Studios | Music Technology, Sep 1987Strongroom StudioHidden in the centre of London is a recording studio with MIDI very much in its heart. Dan Goldstein talks to its directors about technology, producers and prejudice. |
Calrec SoundfieldReview | Electronics & Music Maker, May 1982A versatile microphone — and its British! |
Noise Reduction UnitFeature | Topic: Electronics / Build | Electronics & Music Maker, May 1981 |
Sequential Prophet 3000Review | Sound On Sound, Nov 1987Two years ago Sequential launched the Prophet 2000 sampling keyboard, which set the standard for all the 12-bit machines on the market. Will the Prophet 3000 stereo rack sampler do the same for the 16-bit field? Paul Wiffen thinks so. Read why... |
ScannersNews | Music Technology, Mar 1994As close to the cutting edge as you can get without needing stitches... |
Desert Island WavesReview | Sound On Sound, Jun 1991Ensoniq SD1 Music Production SynthesizerThe SD1 is the new flagship of Ensoniq's synthesizer/workstation range. Paul Ireson feels the quality. |
Astronaut or Heretic?Interview | Sound On Sound, May 1992Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator. |
Yamaha CS70MReview Audio | Electronics & Music Maker, Dec 1981Programmable Dual Channel Polyphonic Synthesiser |
Robin MillarInterview | Home & Studio Recording, Sep 1985Janet Angus talks to Robin about practically everything. |
Production Values - Part 2Feature Series | Making Music, Jul 1986Part two, in which we meet the fifth Beatle, George Martin, and also brush with Trevor Horn's Fairlight. |
Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
The Secret Of My SuccessInterview | Sound On Sound, Apr 1991UK chart success may have been elusive of late but Howard Jones' continued popularity in the States has brought its rewards — an SSL-equipped 48-track home studio. Interview by Paul Tingen. |
Shape of Things To ComeNews | Sound On Sound, Mar 1989 |