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Toys R UsInterview | Music Technology, Aug 1993The techno punk duo on U2, sampling theft, virtual reality, CDI, and getting the machines to rock. |
Steve ReichInterview | Sound On Sound, Sep 1991Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all. |
Klaus SchulzeInterview | Electronics & Music Maker, Mar 1982This famous German synthesist and ex-member of Tangerine Dream now has his own record company and our interview tells about his unique approach to music. |
Blue Ribbon SuperJamReview | Sound On Sound, May 1992Amiga Composition SoftwarePaul Overaa takes a look at SuperJam, the new Amiga music composition package from Blue Ribbon Soundworks. |
Shredder Goes To FrankfurtShow Report | One Two Testing, Apr 1985unbeatable coverage of all the new gear at the year's most important instrument show. Don't buy ANYTHING until you've read it. |
ToolboxNews Audio | The Mix, Nov 1994Sounds, samples, & software upgrades for the modern studioSoftware, samples and gadgets for the modern musician |
AmericaNews | Electronics & Music Maker, Jun 1982 |
The Sound Of SilenceInterview | Electronics & Music Maker, Dec 1985A Thursday Afternoon with Brian EnoThe master of ambience tells Alan Jensen all about art, culture, experimentation and the Smiths. |
The Movement Computer Systems Percussion ComputerReview | Electronics & Music Maker, Jan 1982 |
The Rough Guide To Choosing MicrophonesFeature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them. |
Steinberg Avalon 2.0Review | Sound On Sound, Dec 1991Sample Editing Software For The STMartin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software. |
Workshop BoysInterview | Topic: Recording Studios | Music Technology, Jul 1988A pro studio that's offering its facilities to new bands for free? Mike Myers tells Nicholas Rowland what's wrong with the record biz and how he's trying to put it right. |
Tantek Master MatrixReview | Home & Studio Recording, May 1987ELECTRONIC PATCHBAYTantek enters the professional market with a patchbay par excellence. |
Yamaha TX802Review | Sound On Sound, Sep 1987The Multi-InstrumentalistTaking over where the TX816 left off, this DX7II in a rack is the very latest in a long line of powerful FM synth expanders. Mark Badger puts it in perspective. |
The Magic CircleInterview | Music Technology, Jun 1993Phil and Paul Hartnoll are Orbital, and their pioneering brand of user-friendly electronic dance music is a lot more fluid than the traffic on the motorway that prompted the name. So Phil Ward avoids the M25 and heads straight for the heart of the P&P music factory |
The Techno WaveInterview | Music Technology, Sep 1988Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale. |
Making wavesGroup: Sound AdviceAcoustic diffusersWhat they are, how they work, why you need them |
New Electronic & Instrumental Music In The Late 1980sFeature | Sound On Sound, Apr 1989An overviewMark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s. |
Disciple Of The BeatInterview | Music Technology, Sep 1989Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'. |
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