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The Jump To 8-TrackGroup: Bedroom Bouncedown - Home Recordingto 8-track, what's involved |
Roland R5Review | Music Technology, Jul 1989Human Rhythm ComposerNigel Lord ruminates over the future of the drum machine as he checks out the budget version of Roland's flagship R8 Human Rhythm Composer. To be human or not to be human, that is the question. |
Yamaha Electronic Percussion SystemReview | International Musician & Recording World, Oct 1986DrumcheckIn the drumbooth, no-one can hear you scream... Bob Henrit discovers Yamaha's wild-styled Electronic percussion system. |
Roland TR626Review | Music Technology, Nov 1987Rhythm ComposerBeat crazy. As yet another drum machine arrives on the market, Nicholas Rowland wonders if it's time to get away from the present format. |
Keith LeBlancGroup: ChitChat |
Computers in Music - A Cheaper Option?Feature | Topic: Computing | In Tune, May 1986 |
MPC Electronic Drumset Mark 2Review | International Musician & Recording World, Oct 1985DrumcheckPad patter from Bob Henrit |
At School in the StudioFeature | Topic: Education | Home & Studio Recording, Aug 1986The School of Sound Recording could be just what you need to put you on the right track and now you have an opportunity to win a free place on one of their courses. |
Microdeal Replay ProfessionalReview | Music Technology, Apr 1990Atari ST SamplerTurning your ST into a sampler is one way of getting into sampling on the cheap. Ian Waugh sounds out an improved version of Microdeal's successful Replay sampler. |
Roland R-8 MKIIReview | Music Technology, Jul 1993Human Rhythm ComposerNicholas Rowland examines the successor to Roland’s classic R-8 drum machine and asks: is there life in the old beatbox yet? |
XR300 SMPTE SynchroniserReview | Sound On Sound, Sep 1988XRI SystemsThis low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out. |
On The Beat - Part 2Group: Sound Advicethe next generationThe second instalment of our guide to programming drums |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
We Can't Go On... - Part 1Feature Series | Topic: Drum Programming | Music Technology, Apr 1987...Beating like this. We start a major new series on how to make your drum machine - no matter what its spec - sound more interesting, both sonically and rhythmically. Your guides are Chris Meyer and Matt Isaacson. |
Latin LessonsReview | Electronics & Music Maker, Aug 1985In the wake of the successful TR707, Roland have produced a well-nigh identical machine, loaded with percussive gems of a less predictable nature. Dan Goldstein puts the TR727 through its paces, shortly before emigrating to South America. |
Made to OrderInterview | Home & Studio Recording, Jul 1985Pete Hook — Bass Player, Songwriter and ProducerAlthough well known for his work as bassist with Joy Division and New Order, Pete Hook is a keen producer and owns a studio by the name of Swite 16. |
Beat BoxReview | Sound On Sound, Apr 1986Ian Gilby casts his eyes and ears over Roland's new budget-priced rhythm composer, the TR505. |
The Further Adventures Of Adam AsizInterview | Topic: Home Studio | Home & Studio Recording, Apr 1986Ben Duncan brings us up to date with Adam's career. |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |
Sound AdviceFeedback | Sound On Sound, Nov 1987The start of a regular monthly column devoted to readers' hints and tips about their instruments, equipment, software, recording and playing techniques. |
Linko Acoustic KitReview | International Musician & Recording World, Jul 1986DrumCheckBob Henrit plays absolute beginners |