Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Simmons SDS6 Sequencer

Group: Drum Machine Supplement

Review | Electronics & Music Maker, Feb 1983

Everything Under Control

Review | Sound On Sound, Oct 1990
Groove M4CV MIDI-to-CV Convertor

Old analogue synths never die — they just gather dust until you can find a reason to kick them into life again. As Chris Ankin discovers, the Groove M4CV MIDI-to-CV convertor could be just such a reason.

In Working Order

Interview | One Two Testing, Jul 1984
applications throughout the world

fresh words

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Jan 1986
Usable Packages

The sun rises on computer music, or so says Tony Mills

Thru the Window

Review | Electronic Soundmaker & Computer Music, Aug 1985
Window Recorder

An AMS quality sampler

MC-500 MIDI Real Time Recorder

Group: Roland Newslink - Autumn 1986

Feature | Topic: Advertisement Feature | International Musician & Recording World, Sep 1986

Songwriter/musician Nick Graham gets to grips with the MC500

The News from NAMM

Show Report | Home & Studio Recording, Aug 1986

A preview of some of the goodies soon to be hitting our shops.

Sign Language

Interview | Electronic Soundmaker & Computer Music, Jul 1985

Dance music with direction

Tascam MM1

Review | Music Technology, Nov 1989
Keyboard Mixer

What's impressive, essential to any multikeyboard setup and normally costs a fortune? Answer: a mixing desk. Tim Goodyer looks at a budget desk with a more-than-budget spec.

Getting Your Priorities Right

Feature | Topic: Buyer's Guide, Home Studio | Home & Studio Recording, Nov 1986

Your kindly editor investigates ways in which the newcomer to recording might spend his money effectively rather than just quickly.

Sound Advice

Feedback | Sound On Sound, Apr 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School of Recording & Music Technology.

Frankie Goes To Liverpool

Interview | Sound On Sound, Nov 1986

The superbly produced music of Frankie Goes To Hollywood embodies the whole spirit and character of modern hi-tech recording methods. With the release of their long-awaited second album 'Liverpool', it seemed an opportune moment for Paul Gilby to discover if there is more to the band than Trevor Horn's production techniques.

Building up the Beat

Feature | Electronic Soundmaker & Computer Music, Apr 1985
SY-DP50

On Technic's hybrid Preset/Programmable digital drum machine the SY-DP50.

Music X

Review | Micro Music, Apr/May 1989

Darrin Williamson takes an advance peek at Micro Illusions Amiga MIDI package

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Sequencers Have Feelings Too

Feature | Topic: Sequencing | Sound On Sound, Aug 1992

Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit...

Comment

Editorial | Electronics & Music Maker, Jun 1985
Sex & Drugs & High Technology

Sex and drugs and high technology.

Akai MIDI Effects

Group: Mini Reviews

Review | One Two Testing, Sep 1986

More sounds, less pounds

All Change!

Review | Sound On Sound, Jan 1986
Linn Sequencer

From the creators of the first digital drum machine comes the world's most powerful MIDI controller - the new Linn Sequencer. Mark Jenkins believes it could well cause a lot of us to re-think the way we record.

Roland SBX-80 Sync Box

Review | International Musician & Recording World, May 1985
Sequencercheck

How to sync without a trace. Review by Curtis Schwartz

Turning Japanese

Interview | Electronic Soundmaker & Computer Music, Sep 1985

Ex-Tangs member reveals why he’s going Japanese

Product News

Group: Roland Newslink - Summer 1985

News | Electronic Soundmaker & Computer Music, Aug 1985

Russlings

Opinion | Sound On Sound, Nov 1991

Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ.

Hybrid Technology Music 2000 System

Review | Sound On Sound, Oct 1988

In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why.

Double Take

Review | Electronic Soundmaker & Computer Music, Jan 1985
Klone Dual/Paragon Percussion

The Klone Dual and Paragon Percussion's DVXM — Two stand-alone Drum-synth modules that offer a cheaper way into electro-percussion than the Simmons of this world.

 

muzines_logo_02

Small Print

Terms of usePrivacy