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Simmons SDS6 SequencerGroup: Drum Machine Supplement |
Everything Under ControlReview | Sound On Sound, Oct 1990Groove M4CV MIDI-to-CV ConvertorOld analogue synths never die — they just gather dust until you can find a reason to kick them into life again. As Chris Ankin discovers, the Groove M4CV MIDI-to-CV convertor could be just such a reason. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jan 1986Usable PackagesThe sun rises on computer music, or so says Tony Mills |
Thru the WindowReview | Electronic Soundmaker & Computer Music, Aug 1985Window RecorderAn AMS quality sampler |
MC-500 MIDI Real Time RecorderGroup: Roland Newslink - Autumn 1986Songwriter/musician Nick Graham gets to grips with the MC500 |
The News from NAMMShow Report | Home & Studio Recording, Aug 1986A preview of some of the goodies soon to be hitting our shops. |
Tascam MM1Review | Music Technology, Nov 1989Keyboard MixerWhat's impressive, essential to any multikeyboard setup and normally costs a fortune? Answer: a mixing desk. Tim Goodyer looks at a budget desk with a more-than-budget spec. |
Getting Your Priorities RightFeature | Topic: Buyer's Guide, Home Studio | Home & Studio Recording, Nov 1986Your kindly editor investigates ways in which the newcomer to recording might spend his money effectively rather than just quickly. |
Sound AdviceFeedback | Sound On Sound, Apr 1987More readers' queries are answered by the expert teaching staff of London's Gateway School of Recording & Music Technology. |
Frankie Goes To LiverpoolInterview | Sound On Sound, Nov 1986The superbly produced music of Frankie Goes To Hollywood embodies the whole spirit and character of modern hi-tech recording methods. With the release of their long-awaited second album 'Liverpool', it seemed an opportune moment for Paul Gilby to discover if there is more to the band than Trevor Horn's production techniques. |
Building up the BeatFeature | Electronic Soundmaker & Computer Music, Apr 1985SY-DP50On Technic's hybrid Preset/Programmable digital drum machine the SY-DP50. |
Music XReview | Micro Music, Apr/May 1989Darrin Williamson takes an advance peek at Micro Illusions Amiga MIDI package |
Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
Sequencers Have Feelings TooFeature | Topic: Sequencing | Sound On Sound, Aug 1992Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit... |
CommentEditorial | Electronics & Music Maker, Jun 1985Sex & Drugs & High TechnologySex and drugs and high technology. |
All Change!Review | Sound On Sound, Jan 1986Linn SequencerFrom the creators of the first digital drum machine comes the world's most powerful MIDI controller - the new Linn Sequencer. Mark Jenkins believes it could well cause a lot of us to re-think the way we record. |
Roland SBX-80 Sync BoxReview | International Musician & Recording World, May 1985SequencercheckHow to sync without a trace. Review by Curtis Schwartz |
Turning JapaneseInterview | Electronic Soundmaker & Computer Music, Sep 1985Ex-Tangs member reveals why he’s going Japanese |
Product NewsGroup: Roland Newslink - Summer 1985 |
RusslingsOpinion | Sound On Sound, Nov 1991Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ. |
Hybrid Technology Music 2000 SystemReview | Sound On Sound, Oct 1988In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why. |
Double TakeReview | Electronic Soundmaker & Computer Music, Jan 1985Klone Dual/Paragon PercussionThe Klone Dual and Paragon Percussion's DVXM — Two stand-alone Drum-synth modules that offer a cheaper way into electro-percussion than the Simmons of this world. |