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JHS Spring Reverb SL5300Group: Recording WorldStudio TestCheap and effective, like our own spring chicken Jim Betteridge |
Electronic Percussion checklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jan 1986This month, E&MM’s unique equipment round-up turns its attention to the rhythmic world of drum machines and electronic drum kits. |
One Man's DreamInterview | International Musician & Recording World, Apr 1985The Jones boy finally agrees to talk to us. Tony Horkins plays the diplomatic attaché |
Casio SZ1 MIDI SequencerReview | International Musician & Recording World, Nov 1985SequencercheckCasio get further into the pro market, Chris Jenkins gets into their newie |
Assault On BatteryFeature | Topic: Recording Studios | Music Technology, Jan 1989Battery StudiosJive Records' own Battery Studio complex has to accommodate acts as diverse as Schooly D, Mark Shreeve and Samantha Fox. David Bradwell raps technology. |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Home Taping Is Skill In MusicGroup: Recording WorldHansa BerlinHansa Berlin can produce quality demos on a Yamaha MT-44. Martin Moody got right on the case |
For The Love Of ADAReview | Electronic Soundmaker & Computer Music, Feb 1985ADA2FXThe engineers' dream? A dual effects unit for the price of one - the 2FX. |
Kawai K1R Synth ExpanderGroup: Review |
The Grabbing HandsCompetition | Electronics & Music Maker, Sep 1986Have you won our DX100?After all these months, our Write A Feature competition has a winner. Find out why it was so long coming, and read the article that won its author a Yamaha DX100. |
Through the Software JungleFeature | Topic: Buyer's Guide, Sequencing | Micro Music, Aug/Sep 1989Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money |
Sounding OffInterview | Electronic Soundmaker & Computer Music, Nov 1984Vince Clarke reveals trade secrets. |
Friendchip SRC/ATReview | Music Technology, Nov 1988MIDI SynchroniserIt's not the cheapest synchroniser money can buy, but it's sophisticated and flexible enough to become one of the most popular. Vic Leonard gets in sync. |
The MAX FactorReview | Electronic Soundmaker & Computer Music, Feb 1985A multitracking keyboard for the computer musician. |
The Next StepReview | Home & Studio Recording, Dec 1986MTR 6:4:2A budget 6:4:2 mixer that is neither short on features nor costs the earth. |
Fostex X30Review | Music Technology, Nov 1987Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track. |
Inside Views: E-mu SystemsFeature | Topic: Design, Development & Manufacture | Sound On Sound, Apr 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers. |
Korg DRM1Review | Music Technology, Feb 1988Digital Rhythm ModuleIf you've ever wanted to trade some of your drum machine's sequence memory for sound memory, the DRM1 could be the beat box for you. Matt Isaacson sounds it out. |
Remote ControlReview | Electronics & Music Maker, May 1986Oberheim XkOberheim's first master keyboard has a load of clever facilities, but a price-tag high enough to give it some stiff competition. Simon Trask files his report. |
JCD Feeling PartnerReview | Music Technology, Apr 1992Atari ST SoftwareOne emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too. |
Making the Most of... - Part 14Feature Series | Topic: Arranging / Songwriting, Effects Processing, Mixing, Sampling, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1986Your Paul Hardcastle Aspirations!Steve Howell takes up his razor blade once again and explains the basis for extended remixes. |
Tascam 246 - an Un-Reel MachineReview | Home & Studio Recording, Jan 1986 |