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Fast Forward

News | Home & Studio Recording, Apr 1986
All the Fun of the Fair

What's new in the way of equipment including the latest from the Frankfurt show.

Depeche Mode

Interview | Electronics & Music Maker, May 1982

In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands.

Where to Stick It

Feature | Topic: Microphones, Recording | Making Music, Nov 1987
Miking Tips

Feelers On The Dealers

Feature | Topic: Retail | International Musician & Recording World, Aug 1985
Music Village

Billy Punter joins the Village people in Chadwell Heath

The Magic Of Enigma Studios

Feature | Topic: Recording Studios | Sound On Sound, Apr 1989

Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End.

Production Line

Interview | Music Technology, Jun 1987

The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology.

Waterfront

Group: ChitChat

Interview | Phaze 1, Jul 1989

Music In Our Schools

Feature | Topic: Education | Recording Musician, Oct 1992
Putting It Together

The nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment.

Using Sequencers - Part 1

Feature Series | Topic: Sequencing | Electronics & Music Maker, Jan 1984
An Introduction to the Use of Sequencers

An introduction to the use of the perennial tools of the electronic composers trade. With some explanation of programming from music and notation.

The Fairlight Explained - Part 9

Group: Computer Musician

Feature Series | Topic: Sequencing | Electronics & Music Maker, Jun 1985

Delving ever further into the Computer Musical Instrument from down-under, Jim Grant samples the delights of Page 9's real-time sequencer.

Synclavier Programmer

Feature | Sound On Sound, Mar 1986

Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about.

Bel BD-80 Digital Delay

Review | Home & Studio Recording, Jul 1984

Sequential Studio 440

Review | Sound On Sound, Jul 1987
Sequential's One Man Band

Paul Wiffen first encountered the Studio 440 sampling drum machine several months ago when he was called in to help Stevie Wonder suss out his! It has since become the mainstay of his own programming armoury. Here he tells why...

Bargain Bin Boogie

Feature | Topic: Buyer's Guide | Making Music, May 1987
Cheap Gear

Doing it well does not necessarily mean doing it expensively, as we endeavour freely to demonstrate

Roland MSQ 700 Sequencer

Review | One Two Testing, Jul 1984

taking notes

Fractal Action

Review | Sound On Sound, Feb 1992
Fractal Music Composer

Martin Russ looks at a program that generates music from chaos.

NAMM Report

Show Report | Electronic Soundmaker & Computer Music, Sep 1985
New Orleans

A special report from the New Orleans trade show

The Studio That Tom Built

Group: Roland Newslink - Autumn 85

Feature | Topic: Advertisement Feature | International Musician & Recording World, Nov 1985

Turbo-charged recording techniques

Behind Visage

Interview | Electronics & Music Maker, Aug 1984
An interview with Rusty Egan

Dan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage.

Future Shock

Interview | Music Technology, Dec 1988

Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask.

An Oberheim In Time

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Mar 1990

A list of "classic" analogue synths could not be complete without Oberheim's OBXa. Peter Forrest reminisces about an instrument that won the hearts of many musicians.

Fostex 160 Multitracker

Review | Music Technology, Dec 1986
Four-track Cassette Recorder

A new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value.

From Beat Dis Boy To Mega-Blast Man

Interview | Phaze 1, Nov 1988

tim simenon turns the tables

MIDI Time Code

Feature | Topic: MIDI, Syncronisation | Music Technology, Jul 1987

The marriage between MIDI and SMPTE is now complete, but the burning question remains: how will musicians and engineers benefit from it? Chris Meyer traces the link from its source to its users.

User Feedback

Group: Computer Musician

Feedback | Topic: Computing | Electronics & Music Maker, Feb 1984

 

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