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Eventide H3000 Ultra-HarmoniserReview | Music Technology, Apr 1990Signal ProcessorEventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony. |
Non-Stop Electronic CabaretInterview | Music Technology, Jun 1992Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar. |
Hot StuffReview | Sound On Sound, Jun 1988Toa MR-8T 8-track Cassette RecorderIf you thought eight tracks on standard cassette was an impossibility, think again. David Mellor assesses the world's first 8-track cassette recorder. Will it do to 8-track tape machines what the portastudio did to 4-tracks? Read on and find out... |
Korg DRV3000Review | Sound On Sound, Sep 1987Digital ReverbFollowing on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports. |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
Roland JV80Review | Music Technology, May 1992Digital SynthesiserRoland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80. |
Back To The FutureReview | Sound On Sound, Nov 1988Cheetah MS6 Multitimbral Analogue SynthesizerSeems like everyone has been waiting to get their hands on this low-cost 6-voice, multitimbral, analogue synth expander. Martin Russ looks at the affordable face of technology. |
VangelisInterview | Sound On Sound, Jul 1990With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions. |
Steinberg Avalon 2.0Review | Sound On Sound, Dec 1991Sample Editing Software For The STMartin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software. |
Roland S770 - Part 3Review Series | Music Technology, Aug 1990Digital SamplerIn the final instalment of this three-part review, Simon Trask takes a look at the most important aspect of Roland's super sampler - the sampling itself. |
Microillusions Music-XReview | Music Technology, Oct 1989Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion. |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
Sequencer PlusReview | Sound On Sound, Nov 1987Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more. |
The Beat BoxReview | Sound On Sound, Nov 1991Alesis D4 16-Bit Stereo Drum ModuleAlesis' new D4 offers 500 16-bit drum sounds, external audio triggering and extreme ease of use — what's not to like? Julian Colbeck investigates. |
Dave Bristow on the Yamaha DX7Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Yamaha DX KeyboardsDave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers |
Roland D110 LA ExpanderReview | Sound On Sound, Jun 1988The Expanded ExpanderHere it is - the professional version MT32 complete with separate voice outputs, built-in reverb and hardly any noise. Martin Russ looks at Roland’s new studio-oriented rackmount LA synthesizer. |
Yamaha TX16WReview | Music Technology, May 1988Digital Wave Filtering SamplerYamaha's first sampler has been a long time a-coming. Chris Meyer puts it to the test to discover if the big "Y" have learned from other manufacturers' mistakes. |
The Bassment TapesInterview | Music Technology, Sep 1989From the chart success of 'Bass (How Low Can You Go)' to an album and a 24-track studio in his lounge - Simon Harris talks sounds and samples with Tim Goodyer. |
Brother PDC100 Pro Disk ComposerReview | Music Technology, Feb 1992MIDI SequencerConflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love. |
ToolboxNews Audio | The Mix, May 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Tom on TechnologyInterview | Home & Studio Recording, Jul 1986From PCMs to PZMsTom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason. |
Ensoniq VFXReview | Music Technology, Jul 1989Dynamic Component SynthesiserInitial impressions of the VFX have been glowing, to say the least, but will Ensoniq's latest synth break the Japanese stranglehold on the marketplace? Simon Trask investigates further. |