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Eventide H3000 Ultra-Harmoniser

Review | Music Technology, Apr 1990
Signal Processor

Eventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony.

Non-Stop Electronic Cabaret

Interview | Music Technology, Jun 1992

Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar.

Hot Stuff

Review | Sound On Sound, Jun 1988
Toa MR-8T 8-track Cassette Recorder

If you thought eight tracks on standard cassette was an impossibility, think again. David Mellor assesses the world's first 8-track cassette recorder. Will it do to 8-track tape machines what the portastudio did to 4-tracks? Read on and find out...

Microdeal Replay 16

Review | Music Technology, Dec 1992
Sampler for the Atari ST

Serious ST sampling?

Korg DRV3000

Review | Sound On Sound, Sep 1987
Digital Reverb

Following on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports.

Oberheim Systemizer MIDI Performance Effect

Review | Music Technology, Apr 1989

If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system.

That Syncing Feeling - Part 4

Feature Series | Topic: Syncronisation | Micro Music, Feb 1990

Chris Smith continues his series on synchronisation

Breaking With The Rack Pack

Review | Sound On Sound, Mar 1993
Roland JV880 Synth Module

Roland JV80

Review | Music Technology, May 1992
Digital Synthesiser

Roland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80.

Back To The Future

Review | Sound On Sound, Nov 1988
Cheetah MS6 Multitimbral Analogue Synthesizer

Seems like everyone has been waiting to get their hands on this low-cost 6-voice, multitimbral, analogue synth expander. Martin Russ looks at the affordable face of technology.

Vangelis

Interview | Sound On Sound, Jul 1990

With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions.

Steinberg Avalon 2.0

Review | Sound On Sound, Dec 1991
Sample Editing Software For The ST

Martin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software.

Roland S770 - Part 3

Review Series | Music Technology, Aug 1990
Digital Sampler

In the final instalment of this three-part review, Simon Trask takes a look at the most important aspect of Roland's super sampler - the sampling itself.

Microillusions Music-X

Review | Music Technology, Oct 1989

Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion.

Soundscape

Review | Sound On Sound, Sep 1993
Hard Disk Recording System For The PC

Why is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out...

Sequencer Plus

Review | Sound On Sound, Nov 1987

Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more.

The Beat Box

Review | Sound On Sound, Nov 1991
Alesis D4 16-Bit Stereo Drum Module

Alesis' new D4 offers 500 16-bit drum sounds, external audio triggering and extreme ease of use — what's not to like? Julian Colbeck investigates.

Dave Bristow on the Yamaha DX7

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983
Yamaha DX Keyboards

Dave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers

Roland D110 LA Expander

Review | Sound On Sound, Jun 1988
The Expanded Expander

Here it is - the professional version MT32 complete with separate voice outputs, built-in reverb and hardly any noise. Martin Russ looks at Roland’s new studio-oriented rackmount LA synthesizer.

Yamaha TX16W

Review | Music Technology, May 1988
Digital Wave Filtering Sampler

Yamaha's first sampler has been a long time a-coming. Chris Meyer puts it to the test to discover if the big "Y" have learned from other manufacturers' mistakes.

The Bassment Tapes

Interview | Music Technology, Sep 1989

From the chart success of 'Bass (How Low Can You Go)' to an album and a 24-track studio in his lounge - Simon Harris talks sounds and samples with Tim Goodyer.

Brother PDC100 Pro Disk Composer

Review | Music Technology, Feb 1992
MIDI Sequencer

Conflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love.

Toolbox

News Audio | The Mix, May 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

Tom on Technology

Interview | Home & Studio Recording, Jul 1986
From PCMs to PZMs

Tom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason.

Ensoniq VFX

Review | Music Technology, Jul 1989
Dynamic Component Synthesiser

Initial impressions of the VFX have been glowing, to say the least, but will Ensoniq's latest synth break the Japanese stranglehold on the marketplace? Simon Trask investigates further.

 

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