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Dream Sequence

Interview | Music Technology, Nov 1993

The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane...

Rebel Yell

Interview | Sound On Sound, Apr 1993

Musing Computers

Interview | Music Technology, Oct 1990

A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP.

Yamaha TG300

Group: Quality Control

Review | Music Technology, Mar 1994
General MIDI sound module

Is there more to CM than meets the ear?

Compromising Position

Review | Home & Studio Recording, Feb 1986

Yamaha's RX21 Drum Machine offers a lot of sound for very little outlay.

The Shape Of Things To Come

News | Sound On Sound, Apr 1986

Reports of some of the new products unveiled at this year's Frankfurt Music Fair which will be winging their way into the shops over the coming months.

Digital Aids The Video Stars

Feature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982

Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why.

Classical Sound Engineering - Part 2

Feature Series | Topic: Recording Studios | Recording Musician, Nov 1992
Careers In The Music Industry

Classical sound engineers talk about their hopes and aspirations at the world's best-known studio, Abbey Road.

Seventh Heaven

Group: Control Room

Review Audio | The Mix, Mar 1995
Yamaha W7

Workstation made easy

Time Exposure

Feature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989

Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them.

Music On The Macintosh

Feature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992
Software and Hardware

Newer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface.

How To 12in

Feature | Topic: Arranging / Songwriting, Mixing | One Two Testing, Jun 1985

extended mixing on your Portastudio

Getting into Video - Part 1

Feature Series | Topic: Home Studio, Syncronisation, Video / Film / Picture | Sound On Sound, Sep 1989

Is video a mystery to you? Would you like to dip a toe into its murky waters, or are you worried about getting out of your depth too quickly? In this new series David Mellor explains the essentials of synchronising audio to video, and finds out what it is like to upgrade a home studio to audio post-production standard.

Groove MC-Lite

Review | Music Technology, Aug 1991
MIDI-controlled Stage Lights

Extending MIDI control to cover stage lighting is a logical extension of a system which can already control most aspects of music. Vic Leonard strikes a lite.

Peavey DPM Spectrum Bass Module

Review | Music Technology, Mar 1993

Depth of colour

Hybrid Arts GenPatch

Review | Music Technology, Apr 1988
Software for the Atari ST

A generic patch librarian from a familiar American company. Vic Leonard looks at a convenient way of solving the problems of patch storage and organisation - provided you've got an ST.

Kawai K1 Editors

Review | Sound On Sound, Dec 1988
Steinberg & Soundbits

Tony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer.

Goldstar Procyon

Group: Quality Control

Review | Music Technology, Apr 1994
sequencer for the PC

For many people, the definitive sequencing software for the PC has yet to be written. Could this be it?

Roland D-50 - Part 1

Review Series | Sound On Sound, May 1987
Is the future Linear?

Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out...

Home Taping: Tom Robinson

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, Jul 1986

Tony Reed gets Turbot charged

Clue Data

Review | Sound On Sound, Nov 1985

Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.

Harness the Waves

Review | Micro Music, Aug/Sep 1989

Colin Cat takes the K-1r to greater heights with Drumware's Editor/Librarian package

Shape of Things to Come - AES

Show Report | Sound On Sound, Dec 1988
AES Show Report

Forthcoming new products from the hi-tech music recording field.

Steinberg Topaz

Review | Music Technology, Feb 1990
Computer Controlled Recorder

One of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio.

Super JX

Review | Sound On Sound, Jun 1986

For some time now Roland's synthesizer range has been lacking a flagship model worthy of the Jupiter 8's reputation. Mark Jenkins believes they finally have one in the form of their very latest 12-voice JX-10 Super JX polysynth. Read why...

 

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