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Dream SequenceInterview | Music Technology, Nov 1993The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane... |
Rebel YellInterview | Sound On Sound, Apr 1993 |
Musing ComputersInterview | Music Technology, Oct 1990A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP. |
Yamaha TG300Group: Quality ControlGeneral MIDI sound moduleIs there more to CM than meets the ear? |
Compromising PositionReview | Home & Studio Recording, Feb 1986Yamaha's RX21 Drum Machine offers a lot of sound for very little outlay. |
The Shape Of Things To ComeNews | Sound On Sound, Apr 1986Reports of some of the new products unveiled at this year's Frankfurt Music Fair which will be winging their way into the shops over the coming months. |
Digital Aids The Video StarsFeature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why. |
Classical Sound Engineering - Part 2Feature Series | Topic: Recording Studios | Recording Musician, Nov 1992Careers In The Music IndustryClassical sound engineers talk about their hopes and aspirations at the world's best-known studio, Abbey Road. |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
How To 12inFeature | Topic: Arranging / Songwriting, Mixing | One Two Testing, Jun 1985extended mixing on your Portastudio |
Getting into Video - Part 1Feature Series | Topic: Home Studio, Syncronisation, Video / Film / Picture | Sound On Sound, Sep 1989Is video a mystery to you? Would you like to dip a toe into its murky waters, or are you worried about getting out of your depth too quickly? In this new series David Mellor explains the essentials of synchronising audio to video, and finds out what it is like to upgrade a home studio to audio post-production standard. |
Groove MC-LiteReview | Music Technology, Aug 1991MIDI-controlled Stage LightsExtending MIDI control to cover stage lighting is a logical extension of a system which can already control most aspects of music. Vic Leonard strikes a lite. |
Hybrid Arts GenPatchReview | Music Technology, Apr 1988Software for the Atari STA generic patch librarian from a familiar American company. Vic Leonard looks at a convenient way of solving the problems of patch storage and organisation - provided you've got an ST. |
Kawai K1 EditorsReview | Sound On Sound, Dec 1988Steinberg & SoundbitsTony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer. |
Goldstar ProcyonGroup: Quality Controlsequencer for the PCFor many people, the definitive sequencing software for the PC has yet to be written. Could this be it? |
Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
Home Taping: Tom RobinsonGroup: Recording WorldTony Reed gets Turbot charged |
Clue DataReview | Sound On Sound, Nov 1985Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story. |
Harness the WavesReview | Micro Music, Aug/Sep 1989Colin Cat takes the K-1r to greater heights with Drumware's Editor/Librarian package |
Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
Super JXReview | Sound On Sound, Jun 1986For some time now Roland's synthesizer range has been lacking a flagship model worthy of the Jupiter 8's reputation. Mark Jenkins believes they finally have one in the form of their very latest 12-voice JX-10 Super JX polysynth. Read why... |